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How to Get Your Book to Kindle

You bought a book from me–THANK YOU! Here’s how the process works, with specific notes about getting the files to your Kindle to read.

  1. After purchase, you will get an email from BookFunnel, typically in 3-5 mins.
  2. Click on the provided link(s) in the email and download the Kindle version to your computer. (You can also read on your computer or in the browser without sending to your Kindle if you’d like.)
  3. Go to “Send to Kindle” and make sure you’re logged into your Amazon account.
  4. Drop the downloaded file into the upload box, or select it manually from your computer.
  5. Voila! The book will be sent to your Kindle device associated with your account.

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Why Should I Buy Direct From Joely?

First let me say: I’m grateful you’re reading my books, however you choose to read.

(Unless you’re reading a pirated copy–and then I hope you downloaded some viruses along with those stolen books.)

If you’re borrowing from a library or picking up a used copy at a bookstore, great. If you’re reading in KU, great. If you grabbed it when it was free, great. That’s why I run those free days every quarter!

But if you’re in a position to buy direct from any author or artist, we make more money AND receive it faster. It’s that simple.

For example, if you read Queen’s Purge by using Kindle Unlimited, I’ll make about $2.00. I’ll receive that money in two months.

If you buy it from Amazon at $5.99, I’ll make about $4.00. In two months.

If you buy it from me at $5.00, I’ll make… $5.00 and I’ll receive those funds in 2 DAYS.

Okay, not exactly, because I have to pay for my website, shop, distribution through BookFunnel, etc. but still that’s money in my pocket. AND I don’t have to wait 60 days to receive the royalties. I pay for my website and shop anyway, and I use BookFunnel for other things as well (ARC team, Patreon downloads).

PLUS, if you buy paperback or hardcover books, not only are they SIGNED but I ALWAYS add goodies, depending on what I have in stock and which series it is. Stickers. Bookmarks. I also include a handwritten note.

For larger orders, I try to throw in a free book, again depending on what I have and which series you bought. Maybe it’s the first in a different series. Or Queen Takes Blood or Game of Queens, both containing prequel stories. If I have them for the books you buy, I also include the character cards at no extra cost.

So thank you for any orders you make here. Read more books!

Long live House Isador!

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Queen’s Purge Retrospective

I always like to capture my thoughts and feelings when I first finish a book. Most of it goes into my journal for my eyes only, but sometimes I like to share certain parts too. Especially generic writing process journey elements, in case it may help someone else.

Guys, I’ve written almost 100 stories in my career so far, and I’m still learning. Queen’s Purge had several firsts for me and set some personal records…

It’s the second longest book I’ve ever written at over 120k. (The first draft of The Rose of Shanhasson was over 150k but I cut it down significantly before it was published.)

It contains the longest sex scene I’ve ever written at over 18k with 16 characters interacting in different ways. Yes there were transition scenes as groups moved through the queen’s chamber but it was A LOT. If you’ve been here awhile, you know that I don’t write “basic” tab A/slot B sex. It has to MEAN something. Plot happens. Character reveals happen. She’s raising power through sex and blood and things are always meaningful. I want each one to be different and special and transformative in some way. So these scenes are very difficult to write. And no, this wasn’t the only sex scene in the book, either.

Firsts

  • Wrote out of order. I usually find this a waste of time, but it really worked for this draft. When I worked on Sunfires3, I wrote the overlap scenes for Shara at the same time as long as I could. So when I “started” working on Purge, I already had 15k. Most of that was interaction with Karmen, even though it didn’t happen until much later in the book.
  • I started what I call “zero draft” notes and brainstorming. I started this idea back with Darkness3 because I kept kicking myself about my deplorable lack of notes. I knew I had planned something specific for Svar, and I had ideas for Helayna’s legacy, but I never wrote them down. I had to come up with new ideas that may have been different/better anyway but it would have been nice to have it all written down. Somewhere.
    • I started writing these bulleted lists in the story journal for Darkness3, allowing myself to just brain dump simple notes, not complete sentences, just quick little jots. It really helped, and so for Purge, I expanded on this idea.
    • I created a Zero Draft chapter in Scrivener and kept multiple text files inside with random notes and ideas for what I wanted to do, or questions I needed to answer. I allowed these words to “count” toward my first rough draft word count and I didn’t delete anything.
    • Once I was finished with the draft, it was easy to just compile the final draft without this chapter or any of the cut scenes.
  • For new characters, I found their stock photo as quickly as possible so I could fine tune the description to the photo, instead of trying to find a photo to match the image in my head. It made it so much easier than searching endlessly for a unicorn image that’s just not quite right.
  • I worked on multiple projects at the same time. In January, I worked on Snow Song and Queen’s Purge, until Shara won out. I also wrote scenes for both Shara and Karmen late last year as I already mentioned.

So what now? This week, I’ve been doing the normal “clearing the baffles” I’ve blogged about in the past. I cleaned my desk. I reset all my crystal bowls for sprints. I did my sprint analysis and project retrospective in my journal. I brain dumped everything I could think of for the next book(s).

Here’s where it gets tricky. To go forward in Their Vampire Queen’s universe, I am going to probably be writing on several books at the same time. That’s how much this story has grown in my head. Yes, Shara is still the queen, but she needs the Triune tables filled. She needs her allies and siblings. And I can’t write HER story if I don’t know THEIR stories.

So today, I spent time creating new Scrivener projects for: Queen’s Alliance, Queen Takes Darkness3, Queen Takes Sunfires3, and Queen Takes Grail. I already have Queen Takes Death started. Then I went through my very full TVQ story journal and copied all brainstorm ideas and future notes that are still important into Zero Draft folders for each book.

If I dwell on how big this is… I freeze. It’s Rik-level big. Ha, if you know, you know.

But seriously, every time I thought about where to go from the end of Purge, I was overwhelmed. I had no idea where to start. The scope. The depth. The sheer vastness of it all. Even I can’t see where I’m going over than vague hints.

But doing all this “manual” work helped me figure out how to start Queen’s Alliance.

And sometimes STARTING is the hardest part.

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Knight Loses Head

If you missed grabbing Guillaume’s short story in the Headless anthology, you can now get it by signing up for my newsletter here.

Triune Executioner. The last living Templar knight. 

Before I earned these titles, I was also known as the Dullahan, the headless demon knight of Payns.

This is my story, long before I ever swore my oath to Her Majesty Shara Isador. If you dare to read my tale, you’ll learn the truth of my curse, and the suffering I endured before I came to my queen’s side in Kansas City.

For this knight cannot die.

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Welcome, 2026

This is the first time in at least twenty years that I’m not dreading January.

This is my first January without the Evil Day Job–and all the support that entailed. If you’ve ever worked in the financial sector, you know January’s brutal, especially on the IT side. Everything is urgent. Files didn’t arrive in time, or something failed to move the file to xyz. Reporting and annual statements need to be done. Books need to be closed. Jobs that only run once a year fail and no one remembers how to fix it. Everyone who ever supported the xyz report is gone and now it’s incorrect. Naturally this is the perfect time for servers to go down too.

It’s always a clusterfuck.

This year, I don’t have to live in dread of my phone ringing in the middle of the night. I don’t have to brace myself to read the pinging messages in Teams, or hop on an urgent call to figure out how to recover from a failure.

I’m so excited to see how much I can accomplish in 2026!

Last year, even working the Evil Day Job through 6/1, I managed to write over 300k. That’s the most I’ve written in a year since I started tracking in my spreadsheet in 2021. I could go back through old journals or blog posts too, but I doubt I ever wrote that much except maybe early in my career.

My goal for 2026 is at least 500k.

I’m working on books that I started four plus years ago. And I’m finishing them.

Blizzard Bound is already done, and I have a clear plan for the rest of Darby’s story. Queen Takes Darkness2 is almost finished. I’m in the final scenes, and should be able to publish it this month. Then I’m returning to Darby’s story to crank out the rest of her trilogy.

While building Monstrous Revolt and Queen’s Purge at the same time.

Let’s see how far I can get this quarter!

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Unblocking Blizzard Bound

Blizzard Bound (Sharan Daire) was supposed to come out years ago. I had the pre-order up and everything. I had the blurb written. I knew general information about Darby. I even hired someone to help me plot out the book so I could “write faster.”

But I literally could not even START the book. It just wouldn’t fire. I didn’t feel connected to it. I didn’t hear the voice. I didn’t know the guys’ names, only very high-level archetype details (e.g. former hockey players, doctor, etc). There was no spark there.

So it sat. The pre-order was canceled.

I let readers down. Which I HATE. But I could not write the book. I couldn’t even blame it on the divorce stress because I’m pretty sure this was after That Man was out of the picture. I blamed getting blocked on the plotting process. I’d never worked with someone before, and while she was lovely, I didn’t FEEL the story. I had a mentor ages ago say I’m a very sentimental writer, and that’s true. I need to feel the emotions flowing in me to make the words connect. Maybe having a plotter disconnected the flow. (Ironically, the other book she helped me with is Dig the Graves… which also is not written. Nowhere close. So it very well may be having external plot assistance interferes with my process.)

Or maybe it just wasn’t TIME.

Because there were a few things that happened in my real life that finally helped make Blizzard Bound (as it is now) possible. The book I would’ve written years ago according to the plotter is NOT the book that you got. The only similarity is the heroine’s name, and there are still four lumberjacks in Colorado. Everything else is different.

So what changed?

A friend at work stepped in–in more ways than one.

I wrote about the terrible day in October 2022 where I found out the part of the company I’d worked in for over 25 years had been sold. My business area was gone. All those users–many also friends after decades of supporting the same system–were sent to the new company. Those of us in IT had to support the transition of the sale over the next 18+ months with “white glove” support — while knowing we may not have jobs at the end. We had to find new teams. We had to learn new technology, because our system was gone.

My resume at the time was older than my youngest team member. Not joking.

It was so unbelievably fucking stressful. But I was also angry. I felt betrayed. I’d spent decades of my life supporting this team and business because I cared about the people so much. Now they were all gone. Nothing personal in the company’s decision, right? It was all about money. They said all the right things but it sounded like the adults in the Peanut cartoons. If I wanted to stay and retire with the company after staying for 25 years… I had to find a new team.

I was on my own.

Until I wasn’t.

Because I had a friend in the company who wasn’t even on my team. I’d never worked directly with her. But my very first day at the company, she volunteered to take me out to lunch, and we’d been friends ever since. We used to cross stitch over lunch while I was still in the St. Paul area, and once we moved to MO, she and her husband came to visit us. Then I would visit her whenever I went to the home office. It was only a couple of times over the years, but we stayed in touch.

She called me and said apply to this team in her area. I’d have the chance to work with her, though she wasn’t directly on that team. She knew all the business people and teams and ran defense for me as I got my feet under me. When things started to go sour on the new team (I was told I wouldn’t be doing support except maybe once or twice a month. Yeah, right.), she let me bitch about it. We tried to make things better. We tried to change things for the newer associates who didn’t have decades at the company. We started talking even more because we had the excuse to talk more now. I even went on a corporate conference trip to FL with her last year.

I sent her a giant box of all my books, and out of that box….

She fell in love with Sharan Daire’s books.

She BEGGED me to write Blizzard Bound. Every time we talked (at least weekly), she’d ask me about it. It reminded me that readers still cared about that book. It wasn’t too late. Yeah, I’d let people down by not writing it when I said I would, but I could write it NOW. I could still set things right.

Once I made that connection, everything started to realign. I used Kirstin’s name as inspiration for the main male character, and also created a friend for Darby. I leaned into something else I’ve grown to love in the last year. Something the plotter nixed, actually, because it wasn’t a popular trope. But it felt right. I had to do it. And it worked. (Not being specific because of spoilers – it’s slowly revealed as you get deeper into the book.)

All the pieces snapped into place. The magic was there. I started dreaming the book again. I woke up with snippets of dialogue playing in my head, even at 4 AM. They’re still chatting away too, even though I finished Blizzard Bound. I’m already 14k+ into the follow up book.

Darby’s time finally arrived. Just a couple of years late.

And you can thank Kirstin Zondag. I sure did.

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Glimmers In the Gloaming

[if you were wondering from my last post – Darby beat out Helayna. I finished Blizzard Bound!]

One of the most important times for me to “hear” ideas coming from Story is when I’m not fully awake or asleep. It can happen at night, but lately, I’m picking up the frequencies in the morning.

One of the biggest problems with picking up on those frequencies in the past was the Evil Day Job. I had to be up, rolling out of bed, hitting the laptop at a set time. No lying in bed, cozy under the blankets, while my mind drifted in and out of focus. Sometimes on the weekend I could do it, but usually I was too tired. So I slept late. Then it was time to go – not lay in bed. Same at night. I was always up late to get some words in, so by the time I hit the sack, I was out like a light. (Or I would get on TikTok, which is a whole other time sink.)

Goddess help me if I got a work call at 2 AM because then everything was in the toilet for the entire week.

Now that I’m retired from the EDJ, I don’t have to get up immediately. I do have an alarm set for 8 AM, just so I don’t sleep away the entire morning, but I can stay in bed and drift for a while if I’m not already awake. I can let the subconscious mind work its magic.

AS LONG AS I REMEMBER…

That’s the catch now. I’m getting the twilight ideas, but I don’t always retain them. Especially if I’m showering in the morning, taking care of Honey Bun, making coffee, etc. Then there’s all the little morning routine things I do (now that I have time to do them every morning instead of immediately clocking in for the EDJ). Sometimes those little nuggets are gone like a whiff of smoke.

I can usually find them again, but I have to mine for what I already had. It takes time. And what if I had nuggets for a story I’m not actively working on currently? This is especially becoming important as I try to work on multiple stories at the same time. One story might be “hot” in word count, but I get the nugget for the other story. I don’t want to lose it – but I don’t want to lose momentum either.

The new thing I’m trying–starting this morning!–is a kind of morning pages like Julia Cameron recommends. Except modified and simplified. Stream of consciousness type writing usually leads me to still being too “tight.” I want complete sentences and punctuation. I want to continue the paragraph and flesh it out. All too soon, it’s a rough draft, not a quick note, and I’m losing the other quick notes I had.

So this morning, I took the Blizzard Bound/Snow Song journal and made a page of bullet points every other line. I set a timer for a sprint. And I just went through and dropped as many things as I could think of – even if they were repeats of things I know I wrote down before. Just so I don’t lose them. In 10 mins or so, I had almost a full page. The bullets already there made me keep each idea short rather than slipping into draft mode.

Then I did the same thing for Queen Takes Darkness2 in the House Isador journal (which is almost full again).

Side note: I was kicking myself when I tried to pick up Helayna again after finishing Blizzard Bound. It’d been about 2 weeks since I’d written anything in her draft because Blizzard Bound started the roll down hill. When I get that momentum… nothing’s going to stop me. (Who needs to eat or sleep?) I’m certainly not going to switch to another project.

But I had ideas for Helayna that I hadn’t written down. I was working on her legacy. What her powers are–and would be. AND I LOST IT.

By the time I came back this week, the trail was cold. I had to re-read. Scrounge around in my shitty notes (I didn’t write it down). Re-read again. Get a pick-axe and a shovel and start digging to find what I’d foolishly forgotten to document.

Lesson learned.

If there are glimmers in the gloaming…

I need to make time and space to write them down immediately. So I don’t have to get blisters from all the mining later.

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Experimentation

I’ve been doing the writing gig for a few years now (cough, since 2003) but the only thing that stays the same is getting words on the page. Everything else is always changing. How I write a book. How I get an idea. How I finish. How I track.

Now that I don’t have the Evil Day Job sucking up 40+ hours a week, I have even MORE time to experiment!

Partly from necessity. I can’t just move from 40+ hours of corporate work and 20+ hours of creative/publishing work a week to 60+ hours of creative/publishing work. I wish I could! But my brain needs time to build the framework and characters and dialogue in the background, which is why I was able to write as much as I did while still working.

Now I need to convince my brain to do more of that background work in the foreground. While still being creative. While still finding ways to keep the well filled and primed.

One thing I’m trying is working on multiple projects at the same time. It does not come naturally to me. I keep wanting to hyper-focus on one thing and just grind day and night until it’s done. But what I’ve found over the past few months is that there is a natural set-point I have each day in a given project. Getting beyond that baseline is possible–but those words are harder and slower to get. I’m doing all the foreground and background work at the same time.

Now in the EDJ world, I never got to work on just one thing at a time. We always had multiple projects going on. Meetings every day on a variety of things, from team ceremonies to individual projects to corporate requirements, training, etc. Yet I still somehow always managed to get stuff done. Yeah, it was a struggle sometimes. I learned to block off time on my calendar for deep work a couple of times a week so I could focus on one thing at a time. But then I had to switch to the next project out of necessity.

Same here. I need to switch projects out of necessity–because I’ve written through as far as I can “see” at this time, and my subconscious needs time to percolate on what happens next. If I keep going, I’m going to struggle and slow down while I try to adjust the headlights on my car so I can see further in the fog.

But you know what they say about headlights in the fog. Sometimes you can see better with dim lights than brights.

I keep turning on those brights and then fuming when I’m crawling down the road because I still can’t see.

Since I finished Monstrous Rampage, I’ve been trying to switch back and forth between Queen Takes Darkness2 and Blizzard Bound. Some days are easier to switch than others. If I’m in the middle of a really complicated sex scene, for example, I’m scared to set it aside unless I’m just literally tapped out. I don’t want the scene to go too cold for fear I’ll lose the vibes.

I’ve also been tracking my daily schedule. What’s a natural time for me to start work? When do I tend to get the most interruptions from phone calls or visits from Dad? If I can mitigate the frustration of interruptions – by deliberately using that break – then that helps my mood all day. For example, Dad tends to visit me between 9-11AM most days on his morning walk, weather permitting. If I’m in the middle of a two-hour time blocked sprint, I get a little frustrated when I lose time. It can be hard to make myself start up again. But if I’m doing admin, it’s no big deal.

Or… here’s a thought. Instead of trying to get 4 sprints in a two-hour block before lunch, how about I only schedule myself two sprints before lunch and fill with admin. Because I know I’ll be interrupted. That way I’m not failing every day, which is not good for my mental health.

In the afternoon, I tend to not get as many calls until after 4. That’s the perfect time to shoot for 4 sprints in a two-hour block – in a second project.

After I break for dinner, Molly and I zoom almost every week night. If the second project is still rolling, then I can get 2 more sprints in. But if the last one before dinner was a struggle, I’m going back to the first project to see if I’ve had time to think about what comes next.

Then tomorrow I can choose which one to start the day with depending on how I ended the day.

We’ll see how that works as I finish these next two books. I think at some point one of them will “win out.” They’re both past the 50% mark. We’re on the rollercoaster, slowly clicking up higher and higher, making that climb toward the peak. At some point, one of them is going to tip over the cliff and shoot down toward the finish line. I don’t expect them both to tip at the same time – but that would be a crazy fun ride to try!

Of course the big question mark in November is finding time to get the holiday cards done. I’m hoping I can work on them during longer phone calls because they don’t take as much focus. I’m going to get the November and December birthday cards done ASAP, and then be ready to work on the holiday cards during football games or phone calls.

That’s the plan at least.

Any bets on which book is going to be finished first in November?

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A Monstrous Rampage

Holly’s first book, Monstrous Rampage, is now available!

This is book 5 in the Dynosauros series, which should be read in order (it’s not standalone).

Monstrous Rampage Dynosauros Book 5

I’m finally getting the dinosaur squad of my dreams—but I may not survive them.
When I came on an archeological dig to Guatemala with my friend Natalie, I never expected to long for a dinosaur squad of my own. They’re monstrously huge and scary but the alien super-soldiers treat her like the most precious thing in the universe. Even when they’re shifted into their creatures.
Sue me, but I want that too.
However, I don’t run into a hunky naked guy in the jungle like her. Instead, I’m kidnapped to a spaceship god only knows where. I wake up in a laboratory with our traitorous professor—who’s not really human—leering down at me.
Then he feeds me to a mutant dynos deemed too dangerous and unstable to ever leave his cell or lead a squad of his own.
In the complete darkness of his prison, I can’t even tell what he looks like but he’s huge. Pissed. And worse, crazed after suffering endless experiments as a test subject.
Even if Natalie’s squad can find and jump me to safety, I can’t leave him to suffer. I’ll pay the price to free him. Even if he destroys the alien ship—and me—in a murderous rampage.

Free in Kindle Unlimited.

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Hel(l) Came (Again and Again)

Just following up on last week’s post about the four-year-old incomplete sex scene.

I worked on ONLY this book since that post instead of my two-wip pronged approach I’ve been trying to build. My theory was if I set Helayna aside again, it might be another four years. I can’t do that to you, me, or her. I need her story figured out. So every time I sat down to write, it was Queen Takes Darkness.

Even when I could only get 200 words. Even when it felt like stripping my own skin off as I crawled over shattered ice crystals. I kept going. Even if it felt like I wasn’t making any progress at all. I re-read the scenes, over and over, trying to get momentum built. I referred back several times to the Sept 2021 notes, cursing myself for not writing more down. I knew Svar had backstory that was super important. But what was it? Whatever vague idea I had was gone into the ether. I hadn’t left myself a single clue outside of a few hints in the books themselves.

I inputted (my #2 strength). Going over the dark alfar lore again. Refreshing the vibes I was going for. The Darkness playlist has been playing nonstop in my house. In the car. (Okay, I did play Taylor’s Life of a Showgirl too but it was primarily Helayna’s playlist!)

Part of what made this particular set of scenes so hard is that I was introducing two new characters and moving straight into sex. I needed their backstories. Their hangups and personalities. They had to be people, real, interesting, and most importantly, distinct from all the other Blood I’ve created.

Then when I got through them… I still had Svar’s backstory to figure out. I kept wanting to flinch away and do something easier. Lighter. But I had to see. So I knew where to go.

And then even after we made it through that Darkness, I still had one more Blood to go. Because when a vampire queen is working her way through her Blood, no one gets left out.

I think I broke my personal longest sex scene record. If I start with the first disrobing and go all the way through to the end of the last scene, it’s over 16k (edited – forgot to include the last scene!). Not all of that is actual sex but it’s all part of the journey. Learning these new characters. Finding new powers. Building relationships. That’s why, when people say they skip the sex scenes, it just does not compute for me.

If you skip one of these scenes, you’ll never know Svar’s backstory. Why he is the way he is. Who Dörr is as a person at his core. I may complain about how many sex scenes I end up writing in these books, but it’s always transformative and powerful. Which is why they’re hard to write–but hopefully that’s what makes them memorable.

This week, I’m planning to move back into my two projects a day schedule so I can get Blizzard Bound moving again. I don’t want it to go too cold. (Haha) Though now that I’m over the hump in Helayna’s story, it may all be downhill from here and she may win out. We’ll see.

Gee, that’d be terrible if I could finish BOTH of them before December….