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Rest and Reward

So far, I’ve read Passion Unleashed and finished Skin Game (I’ve been reading it slowly on my iPhone), and I started Heart’s Blood.  I’ve been writing in my journal by hand.  Oh, I did sort of read through my Greek story (only have 1 chapter), and started reading through the SFR one, but hadn’t really gotten into either. 

Mostly, I’ve been enjoying the silence.

You know, that constant clamor in my head, story A warring with story B for attention, while Gregar is yammering away non-stop. 

It was mostly quiet, and I really was trying to simply turn off the stories for awhile.  I’ve been in the mood to listen to Phantom of the Opera, so that soundtrack has been playing since late last week.  And while listening to those powerful words in the semi-silence in my head, a puzzle piece fell into place for a story that I wasn’t even going to try and write.  (Because I couldn’t figure out the heart of the story, and if I don’t have the heart, why even try to write it?)

Sigh.  So much for vacation, right?  Because somehow, I’ve come out of two days with a new story to work on…

Ironically, its working title is HEARTFIRES.

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State of the Writing

January was a busy month of revisions.  I completed not one, not two, but three major revision passes on three different manuscripts.  All are now submitted and the waiting games begin.

Turning in Return to Shanhasson was a major milestone.  The first project I ever completed was Rose…and now that story is complete.  It’s an incredible feeling.  Of course, I’m not done with the Blood & Shadows world.  I have another Keldari novella I want to write, and I have notes and ideas jotted for both of Shannari’s daughters (although it’s been years since I touched them, so likely won’t be able to use much at all).

It’s time for a NEW story to take over.  Thanks to some of my decisions in January, I have two stories I want to write in the next few months.  One is a short and tight romance; the other is a longer, detailed kickoff to a world as big as the Blood & Shadows world.  Since it’s so large, I think I’ll try to get the short work done first, while I make notes and get organized in the SFR world.

That will be my main direction for first quarter of 2010.  Of course, I’m hoping to have new contracted works to announce, and that means revisions and promo and more giveaways.  We’ll just see how all that unfolds.  Right now, I have no scheduled release dates to announce, other than Dear Sir, I’m Yours coming in print April 1st.

Speaking of which, I’m in the building stage for Vicki’s story, Victor and Conn’s sister.  I’m hoping to write that book this year, if I can get her heroes to show up.

But first, I’m rewarding all my hard work since NaNo last year, and I’m going to wallow in reading.  First up, Larissa Ione’s  Passion Unleased and Ecstacy Unveiled, Gail Dayton’s Heart’s Blood, and hopefully Stephanie Tyler’s Hard to Hold.  I have so many other books on my TBR tower that I’m afraid to look, but for sure these are a few I’m hoping to read this month.

Don’t forget to vote for The Road to Shanhasson as the best book of 2009 here!

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Victor is Almost Ready…

One of the joys of having a dog that we can’t trust to last more than 8 hours without a mess is getting up before 8 AM on a Saturday with 6+ inches of snow on the ground so she can go potty.  The house was quiet another hour before the sleepy-head monsters got up (they were out of school yesterday and stayed up later than usual), so I worked frantically on Victor’s synopsis.

I already had several ideas jotted on notecards, but I hadn’t been able to piece them together in a coherent way yet.  Thankfully, the pieces fell together this morning and I’ve got both a blurb and synopsis (I typically do both at the same time) drafted that I really like.  I’ll let it sit another day or so — I can’t help but tweak here and tweak there, add a word, change this phrase. 

Sherrialready provided incredible feedback and gave me one little thread to mull over.  Writing the synopsis also helped me realize I needed to add a couple of paragraphs to the scene with Mama Connagher.  Otherwise, I think I’m *this close* to kicking Victor out the door. 

If you’re curious, this is the blurb I worked up this morning.  Does it make you want to buy it and read more?

Reluctant Dom Victor Connnagher has been hiding the truth for years: he’s the meanest sadist in Dallas. As the CEO of a risque cable channel, he supports the BDSM community but doesn’t trust himself to participate. Not after he hurt his submissive fiancee [changed per Nicole’s suggestion] so badly that she dumped him.

Saucy and confident despite being submissive, Shiloh Holmes needs pain and a man who’s not afraid to give it. She suspects her boss is a Master with a capital M, so she creates a BDSM reality show for his channel in order to gain his attention.

On America’s Next Top sub, Shiloh will prove once and for all that she can please Master V. In any way he wishes.

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Friday Snippet: Hurt Me So Good

Thank you to everyone who has contacted me about beta-reading.   This post was actually scheduled last night, so I’ll post the Giveaway winner shortly.

Victor’s been on my mind all week, so I thought I’d post one last bit before I move on to the next story.  I’ve been talking about him and his riding crop until you’re probably sick of it, but you haven’t really seen him in action.

Until today.

In this scene, they’re filming the trailer for their BDSM reality show that Shiloh created specifically for him so she could get close to him.  They’re playing here for the show, but it’s also the first time they get to play a scene together, if you know what I mean.  The language is fairly clean but he does use the crop on her, so please don’t read further if that kind of scene will offend you.  

Of course, since this is the first real scene with the crop, the rest grow in intensity.  *winks*

 

On their brand-new set for America’s Next Top sub, Shiloh had never felt sexier.  The outfit wasn’t exactly historically accurate, but from the darkness burning in Victor’s eyes, she’d accomplished her purpose.  She wore a short muslin shift barely more than a tank top with a white corset over the top, lifting her breasts and pushing out her booty.  To make the scene as sexy as possible, she wore white lacy high-cut panties that disappeared beneath the corset.  Without any skirt or petticoat, her ass was barely covered enough for TV.

      Delicate pink stockings encased her legs to mid-thigh, tied with white ribbons, and she wore heels elaborately covered in sparkling crystals.  Sweeping white feathers formed her mask, swan wings to frame her face and conceal most of her hair.  She didn’t think her own mother would recognize her.

      Victor wore tall gleaming riding boots and black jodhpurs that concealed the protective brace on his knee.  His shirt was plain white linen, loose and open at the neck with billowing sleeves tied at his wrists.  She hadn’t dared ask, but he’d opted to leave his hair loose, glossy black and tousled about his shoulders.  Black wings covered his face except for his mouth and eyes, sweeping tight to his head and down to his shoulders.

      Of course, the Master’s look was completed with his crop.

      She stared at that crop and her stomach turned to cold, hard lead, even while a rush of liquid warmth flooded her veins.

      “What’s the set up?”

      The distant, reserved tone of his voice helped her focus on the show, and not the Master.  “This is the opening shot that will play at the beginning of every single episode.  We didn’t want to associate our show with Silken every single time, so we chose a basic neutral shot here.”

      “Good.” He gave a curt nod, barely meeting her gaze.  “Where do you want me?”

      It felt strange to give him orders, but he’d made her showrunner.  This was her idea.  She wanted it to succeed on multiple levels, not the least of which was her career.

      She directed him to sit in a simple wooden chair with the crop in his lap.  “The scene opens with you cleaning and preparing your equipment.  The light will be focused on you, casting the rest of the area in shadows.  When you’re satisfied with the gleam on the leather, stand up.  The lighting will slowly brighten to show me at your feet, waiting for your attention.  We need a few minutes of Master/slave play.” Her throat tightened, making her voice gruff.  “Your choice.”

      “Excellent.” He smiled, and it was far from the mellow ease last night as he groaned beneath her hands.  This man couldn’t wait to bring that crop down on her flesh.  “I always thought we should eroticize the cleaning and care of our tools.”

      Mal snorted.  “I think your tool gets plenty of care, V.”

      Chuckling, he spread his knees wider and picked up an oiled cloth.  “Not yet.”  

      He met Shiloh’s gaze and her nerves zinged as though she’d been electrocuted.  He pointed the crop at the floor to his right.  He didn’t have to say a word.  From the tip of his smallest finger to the soles of his feet, the Master commanded her to kneel at his feet.

      That quickly, she slipped fully into the role of his submissive.  The show meant nothing.  This was their first scene, her chance to give him exactly what she’d been dreaming about.  As gracefully as possible, she knelt where indicated and pressed her face to the floor six inches from his boot.

      #

      Cameras rolled, lights blazed into his eyes, but Victor had one thought only: the woman waiting at his feet.  He’d never enacted a scene for one of his shows before, although he was no stranger to performances.  Sometimes it was hard to ignore the crowd; other times, the audience fed off the scene’s energy and multiplied it, frenzied as though they could feel his lust and power.  That’s exactly what he wanted this scene, this entire show, to bring to Dallas.

      With slow, deliberate intent, he stroked the cloth over the leather, lovingly caring for the weapon that could bring so much pain.  He’d carried it for years, and although he’d tried various other tools of the trade, he always came back to this crop.  It fit his hand perfectly, flexible but stout with a wide tip that combined to make a wickedly vicious whoosh.

      “That’s good, V,” Mal called from the side.  “It looks like you’re making love to the crop.  Prepare for the lights to brighten.”

      He gripped the crop in both hands at either end and stood, letting the camera focus solely on the Master’s weapon.  He wanted the viewers to lean toward the screen, breathless with anticipation about what he intended to do with it.  Light flooded the floor, and someone off to the left gasped, even though they’d all known Shiloh was there.

      He raised both arms overhead and turned his body slightly, giving his profile to the camera.  Poised, he waited what seemed like an eternity, and then he jerked his left hand down toward his thigh.  The crop whistled through the air.  Leather smacked against his thigh in a satisfying crack.  The stinging cut of the crop heightened his senses, focusing his mind and body on one thing only.

      Dominion.

      Shiloh’s hand crept out to touch his boot, begging for the next blow.

      He waited until she wrapped her hand around his ankle, and then he reached down, seized a handful of her hair at her nape, and hauled her up to her knees.  Bending down, he glared into her eyes.  “Why are you here?”

      He chose to say those words because that’s how he always opened a serious scene, and while this scene might be taped for a TV show, it was real, serious, heavy shit, to him at least.  He wanted to make sure she had committed to it as much as he did.  Unscripted, her responses would reveal her true intentions.  What did she expect to get out of a scene with him?

      “To submit to you, Master.”

      He straightened slightly, widening his stance, his left arm held out and back to the side, keeping the crop visible for the shot.  “What may I do to you?”

      “Anything you want, Master.”

      Ah, yes, she couldn’t have given him a more perfect response.

      He drew her closer, deliberately lifting her face toward his crotch.  She made it look pretty instead of vulgar, her back arched, her gorgeous ass lifted to tempt him.  Even if they were alone, he wouldn’t have let her touch him.  He merely wanted to torment her with what she couldn’t have.  Not until she’d satisfied his other urges.

      Her lips were soft, open, her face hauntingly beautiful with the stark lights blaring down on her and feathers curled about her cheeks.  She resisted his grip, pulling her own hair in order to lean closer, trying to get her mouth on him.

      The lights dimmed, breaking the moment.

      “Hold on just a minute,” Mal said to him, then louder, “Bring up the backlights.  This next part we want only their silhouette.  Okay, good.  When you’re ready, V.”

      “Ready for what?” Someone asked in a loud whisper.

      He whipped the crop over his head and brought it crashing down on Shiloh’s buttocks. 

      She let out a low, throaty moan that tore at his control.  He knew the blistering fire that had exploded on her skin, the deep throbbing pain despite his care to control his arm.  He never started as heavy as he would end; even as a sadist, he took care to begin with a sensual blow and not a cutting one backed by his full strength. 

      However, after denying his darker urges for so long, he was close to coming from that blissful sound of her cry alone.  To reward her, he let her rub her face high on his thigh.

      Shocked silence hung over the set for several long seconds, and then his crew erupted into cheers. 

      “Bring the lights up,” Mal said.  “Let’s see the whole thing from the beginning and see if we need to re-shoot.”

      Victor clenched his fist on the crop, grinding his teeth with fury.  He did not want to stop.  He did not want to sit down and watch the tape.  He wanted—

      Shiloh stared up at him, her eyes wide, glistening with tears, pleading.  “Please.”

      Don’t stop.

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Victor: Hurt Me So Good

The title I’m going with for now:  Hurt Me So Good.  I’m sure we’ll go through dozens of new ones, but this title says so much about the book.  It’s really perfect in a lot of ways, and stays true to the personal structure of Dear Sir, I’m Yours.

I’ve made two complete revision passes through Victor’s book, growing it slightly to 73.5K, a nice, meaty read.  I decided to keep the blog idea and added a few crucial posts to the story, similar to Rae’s letters to Conn.  The blog plays a crucial part in the external storyline, so I thought it fit, and it let me mix in some humor and layers of character.  

In the mix of revising Return to Shanhasson and the Maya story, I forgot how much I love this book.  Whew, baby, does Victor smolder.  Shiloh is unlike ANY heroine I have ever written before and I love her to pieces.  I wish I knew her in real life.  Sometimes I had to close my eyes in order to type her dialogue because she takes great pride in telling Victor exactly what she wants in brutal, dirty detail.  *snickers*

And Victor, well.  Let’s just say even Gregar is saluting him with his rahke

All that remains is the synopsis, and a few beta reads if anyone is so inclined.  My usual warnings and caveats:  my editor hasn’t gotten it yet and things may change after she makes her edit requests.  I don’t want a critique — just a read and judgment of enjoyment factor, although if you catch a typo, I’ll be ever grateful. 

This book is erotic romance–including BDSM, rough language, and the use of a riding crop–and NOT for the faint of heart.  If you’re still interested, e-mail me.  I reserve the right to decline if we’re not a good fit or if I’ve already received enough offers.  I’ll trade full reads with writers and give a final electronic copy to readers, as well as thank you in the dedication.

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Grand Plans Awry

As I said last week, I want to write a short and tidy contemporary romance.  I have my characters (although I’ve changed the hero’s name twice and it may change again).  This time I started with a target market and very strict and clear limitations for myself.

Since I want this nice and tight, I pulled out my old Marshall Plan Workbook.  I thought I’d do notecards, plot the whole thing out very carefully, and make sure that I had enough — and not too much — story.  No complicated subplots, no extra characters, so I really want this to be about 50-60K.

I got out my 40 notecards and numbered them.  I started taking notes on my character development.  This is the heroine’s story, so I spent quite a bit of time thinking about her backstory and how she got to this place.

But I really hadn’t PLOTTED.  I mean, I knew the beginning, middle and end, and I had the 3 surprises (that Marshall recommends) pretty much figured out, but I hadn’t written all those details down carefully.

I had the beginning research completed.  I looked up dressage, the American Royal Parade and Grand Prix in Kansas City, Andalusians, Friesans, and Greek vacation islands (wow, so gorgeous!).

Then Saturday morning we slept in, and in that in-between stage of awake but not quite ready to get up yet, I wrote the first couple of sections in my head.  Needless to say, before I would leave the house yesterday, I made myself write those sections down. 

So much for my careful notecards – I don’t have a single one written up.  But I do have 2600 words and Chapter One.  🙂  Sometimes the story is just ready to go.  Of course in the dreaded middle slump, I may wish very hard that I’d made myself write up all those plot cards…

Tonight while football is on, I’m going to work on Victor’s synopsis.

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Making Mistakes

Nobody likes to make mistakes.  For one thing, it’s pretty damned embarrassing, especially when it takes someone else to correct your mistake.  But I tell you now that there’s nothing that’ll open your eyes quicker than a humiliating mistake — if you’re willing to learn from it. 

It’s like the joke that Jeff Foxworthy tells:  When he was a kid and stuck his finger in a light socket, his dad said, “Hurt like hell, didn’t it?  Won’t do that again!”

Making writing mistakes hurts like hell too.  And yeah, I won’t be making this mistake again.

So what’d I do? 

Because of my lack of rules, boundaries, and limitations (see yesterday’s post), I didn’t make good choices from the beginning with the Maya story.  Remember all my posts about Revision Xibalba?  All that work?  Wasted.  Because I didn’t know what my genre was, and I didn’t stay within the lines.

To correct my mistake, I had to:

  • delete two subplots that convoluted and detracted from the main romance line.  Painful, because I loved these two stories.  Clue: I loved them enough, I should have given them their OWN book!
  • axe 25K
  • kill over a dozen characters.  Can you say too many characters?
  • rewrite the ending

Was all that work worth a little jaunt on the wildside?  In the end, I have to say yes, because it opened my eyes to the path I’d chosen.  I had to make a choice about whether to keep going and ignore the mistake, or correct it.  I chose to correct it, and I learned a lot from it too.  I can’t tell you how much better this ms is now, but I’m much happier with it.

And the real sign that I’ve made the right choice?  Before, I was blocked about what the next book would be in that series.  I jotted a few ideas, but I really had nothing beyond a general “I need to do this” sort of feeling.  As soon as I committed to the changes above, I immediately started getting excited about more things I could do — now that I had opened up the stable door and stepped inside.

So I guess I’m glad I made the mistake, but geez, I wish my head was a little less thick.

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Rules, Boundaries, and Limitations

The title sounds familiar to anyone who watches Cesar Milan, the Dog Whisperer.  Dog problems are usually their OWNER’S problems first, and it’s amazing how many annoying and dangerous dog issues he can solve simply by applying a little discipline.

My post yesterday about a twisted version of Black Beauty probably gave you the hint that I’ve been thinking a lot about boundaries — harnesses and stables — this past month.  People have said that I’m disciplined, but all it really takes is a quick glance at my book list to see that it couldn’t be further from the truth. 

My interests are varied and wide.  I’ve written everything  from romance to horror and science fiction, with a bunch of flavors of fantasy mixed in.  I’ve even written a Civil War story!  I adore a challenge, and each time I see a new submission call, it can be dangerous.  I get an idea.  Sometimes it’s a burning hole in my mind until I write it. 

Even if it doesn’t go with anything else I’ve written.

My sixth year anniversary has come and gone, and I think it’s time I toughened up on myself.  I need to focus.  The freedom of writing whatever I wanted on a whim was fine for awhile, but if I want to take my writing to the next level, I need some discipline.

Rules, boundaries, and limitations.

I was talking with a sooper-duper writing friend yesterday and we talked about my unreasonable fear of limiting myself to one genre.  Or even one MIX of genres — not this mishmash of everything.  Deep down, I have a very great fear that if I enforce rules on myself, the writing will just shrivel up and die.  That I’ll lose the part of my writing that makes it special and unique (at least to me).  I’ve been in bad places before where I seriously doubted that I’d ever finish another book again, and I do NOT want to EVER go there again.

But if I want to go to the next level, I need to focus.  I need some limitations.  I need to face this fear.  Plus I’ve been receiving feedback on various stories, and it’s made me rethink what I’ve written and what I want to continue writing.

Conn and Victor both helped, but they weren’t quite enough.  See, one of my weaknesses as a writer is throwing stuff into a story that amuses ME, not necessarily the general reader.  It amused me to have Miss Belle solve a minor murder mystery in Dear Sir.  Her kooky antics with Colonel Healy put a smile on my face.  However, a few readers commented that the paranormal aspects were annoying.  I could have told Conn and Rae’s story without a ghost.

Focus.

The Witch once told me that I need to think about romance as a coloring book, and I need to learn how to color within the lines.  Meanwhile, I’ve been taking a marker and scribbling huge swatches of color all over the page, totally ignoring the lines in deliberate defiance.

So that’s an exercise I’m going to work on after Victor’s revisions are completed.  While I worldbuild the SFR world of Deathright and get back on track with it, I’m going to take a little time and write a simple, wonderful romance.  Only two crucial characters.  No paranormal, no fantasy, no violence, no horror, no mythology, not even erotic elements to detract from the relationship.

Just two people focused on each other and falling in love. 

If I can’t do it, then I need to rethink the SFR because the R means romance, and if I can’t get a simple, straightforward romance right, then what I want to do ultimately in Deathright won’t happen.

If you hear some squealing and stamping and crashing, it’s my horse totem throwing a fit in its stall.  Gregar is laughing so hard he fell off said horse and is rolling around on the ground.  Thank Vulkar he’s wearing something beneath his memsha this time.

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A Horse Called Beauty

Once upon a time, a foal was born on the farm, so pretty that the farmer called her Beauty.  Beauty grew up with green meadows and sparkling streams with the azure sky over head perfectly clear and sunny.  She was never afraid; in fact, she had no idea what FEAR was.   She could run and kick up her heels all day and it was the best fun she’d ever hoped to have.

Even when the farmer introduced a halter, bit, and saddle, it was still all good fun.  Now she could go places!  She could see the world outside the secluded meadow.  Besides, she loved the farmer, and if he told her this was the right and proper way to go outside, then she believed him.

She did not know that she was to be sold.

At first, she didn’t understand why the farmer left her in the middle of the bustling town.  The noises hurt her ears and she shied and whinnied for him to come back, but he never once turned his head at her desperate clamor.

People came to look at her.  They pried open her mouth.  They jerked at her ears and sniffed with disdain at the size of her haunches.  “Too pretty for work,” one person said, and another, “Too plain for my carriage.”

There are many, many pretty horses, you see, and Beauty was quite ashamed to be left standing in the once-crowded market place with a droopy-eared mule and a broken-down hack.  She was relieved when a man laid a kind hand on her neck. 

“Don’t you worry, Beauty,” he said, stroking her gently.  “I’ll train you to harness.  I’ll teach you how to work.  Then they’ll be beating down the stable door to acquire you.  You’ll see.”

He led Beauty into a dark barn and put her in a stall with walls so high she couldn’t see over the tops.  Gone were the days of grazing in the meadow and running with her mother and the other young foals.  Now, she learned to work.  The man buckled and pinched and prodded her into a heavy leather harness.  It chaffed and rubbed her raw, but she accepted it.  After all, this is how things were done, and if she wanted to be taken away from this dreadful market and be loved, then this is what she must learn.

The work itself was not hard.  At first.  The man taught her to pull her weight, and then even more, loading the wagon down with goods.  She tried to keep her head high and her tail cocked with a jaunty air, but soon it was all she could do to pull that weight.  Her head came down so she could lean into the harness.  Her hooves slipped on the cobblestones, hard and cruel after the sweet green grass of the meadow.  Her rear hoof cracked, and she began to limp.  Just a little.  But now, even though she was pretty and knew how to work, no one would take her home from the market.

“Lame,” said a man, shaking his head, and another, “Poor broken-down dear.”

Broken down?  No, Beauty, shook her head and snorted.  She would show them.  She would pull more crates and barrels than ever.  She would master the steepest, most brutal hill in town.  She threw herself against the harness, straining and sweating, laboring up that hill with a mountain of cargo behind her.  Impatient, the man lashed her sides with the whip.  She strained for him, trying to please him, trying to show how much she could do, and she felt something tear inside her chest.

She slipped, slamming her knees against the cobblestones.  Wet and shaking, she could not rise.  Something had broken inside her.  Beauty knew a cold, suffocating fear, then, that she might never get up.  She might never run in a green meadow with love and joy bubbling up in her heart ever again. 

“What a failure,” the man said bitterly.  In disgust, he struck her one last time with that whip, and then he threw down the leather reins.  “If anyone wants her, she’s yours.”

Another man picked up her reins and coaxed her to her feet.  She followed him, head down and weary, for what else was she to do?  The drudgery continued.  Beauty worked for each owner, but she no longer loved them.  She couldn’t.  The once great heart within her was broken.  She came to hate the harness and the cramped stalls.  The hay was moldy and stank of rot and manure.  She couldn’t even turn around!  She couldn’t run, or see the stars, or feel the breeze ruffling her mane.  

With every exhausted beat of her heart, she yearned.  She yearned to be free.

Work, work, work, day in and day out, more loads because she couldn’t haul as much as the magnificent Belgians and Clydesdales.  Sometimes she passed the pretty carriage horses on the street, tails and heads high, but instead of envying them, now she sneered with a show of yellowed, mean teeth.  

What do you think of that bearing rein that holds your heads so high?  What do you think of waiting in the rain and snow outside the grand mansion for hours and hours, shivering and miserable?  At least I’m working!

But she couldn’t help but snap at the man who came to throw the harness on her.  She tried to kick the stableboy in the head.  She pounded her hooves against the tight walls and screamed out her rage.  If I am ever freeI shall run for the green pastures and never ever come back!

Then one night her prayers were answered, for the man came on unsteady feet, wavering back and forth down the aisle to check the angry, trapped horses one last time.  He tripped over a rake and fell, slinging the lantern against the wall.  It exploded with hungry, crackling flames.  Fire engulfed the stable, and he ran from stall to stall, slinging open the barred doors and waving his arms at the frightened horses.

Some of them were frozen with terror, but not Beauty.  She bolted for the door and ran as fast and hard as her sore hooves would take her.  She heard the screaming, dying horses behind her and the shouts from the firemen, but she ran on without looking back, just as her once beloved farmer had abandoned her to a lingering death in the city.

She ran.  Through cramped streets, leaping over crates, knocking people out of her way.  When she found the green meadows, she was tempted to stop and rest, but she remembered how the farmer had come and taken her away, so she kept running despite the foam flecking on her shoulders.  She ran to the mountains, the most barren and forlorn place she could imagine.

But she was free.  Here there were no people to throw a harness over her back.  No miserable little cell of a stable.  No one to sell her away from everything she loved. 

So what if she did have to move constantly, always looking for food.  What was a little hunger for a free creature?  Her ribs might show in stark relief beneath her ragged hide that had once been sleek and shiny with health, but she’d rather be hungry than suffer the harness again.  She’d rather her hooves crack and ache from the sharp rocks of the mountain than the hard punishing flagstones of the city.  And so what if she were lonely?  At least there was no man with a whip to beat her into submission.

Sometimes when she was especially hungry or the night was bitterly cold, she would stand on the cliff and look down at the valley below.  Sheltered by a line of sentinel pines, a snug litle cabin and stable were tucked up against the side of the mountain.  A man lived there; she often saw him shading his eyes, staring up at her if she lingered too long.

He had horses too, and sometimes she whinnied to them, tempting them to break down their stalls and come race the mountain with her in freedom.  Silly horses, though, they wouldn’t leave their stalls.

Their warm, safe stalls. 

In howling blizzard winds, Beauty was tempted enough to creep closer to the stable.  A chestnut nickered through the stout log walls.  “The man made us a warm mash tonight and I have a lovely blanket.  Let yourself be caught, wild thing, and eat your fill.  Our work is easy, there’s plenty of food, and the master is kind and wise.”

Beauty could smell sweet hay and rich grains inside.  Warm lights glowed from the cabin window.  She’d never heard the man speak harshly to his horses or lift a hand against them in anger.  Once she’d even see the barn door wide open and the chestnut loose and free, but the mare didn’t gallop for the hills, despite Beauty’s frantic call.

Warmth, food, shelter from the snow.  It would be ridiculously easy to allow the man to throw a rope over her neck and lead her inside.  Inside to stalls and harnesses and chains and whips.  She snorted and backed away.  

Snow stung her eyes and chilled her legs up past her hocks.  There would be no food to be found.  She’d already nibbled the tips of the trees as high as she could reach, and pawed a small patch of ice and snow away to find the dead grass beneath.  Free she may be, but she couldn’t help but remind herself that it had been a great many years since she’d felt lush green grass beneath her hooves and the joy she remembered in the meadow. 

How much longer can I survive free…flitting here and there in search of food?   Do I refuse the safety of the stable out of spite?  Was working beneath the harness always drudgery?  Would carrying a man with a light, sure hand and good seat be such a travesty?

Where is my place?  Where can I be safe and happy?  Where can I work and yet love, too?

Beauty clamped her tail tight and shivered.  Maybe if she survived this blizzard, she could make a decision.  Tomorrow.

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Friday Snippet: My Clockwork Heart

So far this month, I’ve written a whopping 3,700 new words (although I’ve been editing other completed manuscripts).  I’m pretty proud of those words, even though the count is so small.  What, you say?  How can less than 4K be an accomplishment when I’ve written that much in a single day?  

Because it’s a new short story and interesting, engrossing shorts can be so difficult to write.

I saw a horror anthology call a month or so ago and immediately got an idea for it.  However, as I worked through the storybuilding process, the idea fell apart on me, tattered beyond recognition.  The fire burned out.  As of two weeks ago, I wasn’t going to write anything for the antho after all. 

As soon as I said nevermind, my Muse snickered and hit me with the REAL idea, laughing with wicked glee that I only had 10-14 days to write a 2-6K story by the deadline (today).

I finished the story last night.  The first several sections have been polished several times, but I need to edit the last section today over lunch, and then I can fire it off to the editor.  If it’s not accepted for the antho, you’ll get it as a freebie next month, which has particular significance in the story.  *winks*

So here is the opening section of a horror (creepy not gory) story:  MY CLOCKWORK HEART.

A gentleman took note of Mary’s dishabille, peering down his long aristocratic nose with a cruel, sensual curl to his lip. Then he noticed the splatters on her nightgown: mud, no, surely not blood… and his top hat fell into the gutter.

Yet he did nothing to help her. No one did.

She ran through thick, suffocating fog from island to island of dirty gaslight, muttering out loud, “One more light. One more step.”

Even the street urchins who typically jostled for a passerby’s attention by waving the latest news could only stare at her with a knowing horror in their eyes. Too many women had ended this way, especially in this part of London. They would be shocked to know that she was Lady Aurum, wealthy enough to purchase each and every ragged shack on this crooked narrow lane. The only building that had managed to obtain her notice, however, had been the large abandoned factory in the deepest, darkest warren of streets just off the wharf. Her laboratory; her refuge.

Her heart gave a weak stutter. The knife had sliced deeply, surely more injury than a bloodletting doctor could ever hope to mend. She laughed, a wet cough of blood in her mouth. I have no more blood to let.

Her leaden arms were numb, but she kept her left fist buried hard in the gaping wound in her chest to staunch the flow. Perhaps she could use her fingers to manually pump the damaged organ if her heart ceased beating before she reached the laboratory.

Barefoot, she staggered onward. The loud clang of her left foot echoed eerily in the endless night. A particularly vicious case of gout had crippled her father, until she’d managed to construct a new golden foot for him. Then she’d contracted the same debilitating illness, giving her incentive to improve on the prototype.

Despite the failing weakness of her injured heart, the foot of delicate gears and gleaming metal still worked to balance her weight perfectly, arching and pushing against the treacherous cobblestones to propel her another pace closer to her sanctuary. If she died on this filthy street, she daren’t guess how long it might take for one of the poor to gain the courage to cut off that golden limb.

She shoved the door open so hard the wood rebounded on the wall. Her assistant, Mr. Moreland, whirled around with a copperwhirl in one hand and a magnifying glass in his other. “My lady! Anne, come quickly!”

With a swipe of his arm, he cleared the high table, heedless of his project. Mary glimpsed only bits of wire and cogs before the construct shattered on the floor. He scooped her into his arms and gently lay her on the table.

“Heart,” she gasped out through frozen lips.

With a comforting squeeze to her shoulder, he smiled. “Never fear, my lady; I know exactly what to do. How fortuitous that you were already experimenting on a replacement!”

The clockwork heart had been the natural progression of her work. After she’d accomplished foot replacements on her father and herself, she’d returned precious music to a violinist whose hand had been crushed in a carriage accident. His tearful gratitude and charm had been so considerable that she’d married that handsome young—but extremely poor—Italian. Not only had she returned his music, but she’d also gifted him with her heart.

She’d never intended to make the latter a physical exchange.

As calmly as though his mistress stumbled through the door every day requiring massive surgery to preserve her life, Mr. Moreland strode to the cabinets and began selecting the tools he would need. She heard the muted, frightened questions from Anne, the maid-of-all-works they were training to be an assistant, and his soothing response, although their words made little sense.

Fog still enfolded her, cold and heavy. Too heavy to breathe. Too cold to ever be warm again. Her heart beat out a ponderous dying waltz. She counted a slow twenty, chest aching with agony, until the next beat.

Tears trickled down her cheeks. Love had blinded her. Love had killed her.

Her heart gave one last desperate painful thump in her chest and she sank into the billowing fog.