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Synopsis Hell

If I can just get this blasted synopsis written, then The Bloodgate Codex is ready and waiting to go out and face the cold, cruel world once more.  I’ve never enjoyed the synopsis, but this one is proving harder than usual.

Maybe because I’m still iffy in my head about what genre this story actually is.  You would laugh, seriously.  I set out to write an Urban Fantasy. Nope, didn’t make it.  Since I’ve gotten rather tired of the kick-ass heroine, vamp, werewolf triangle–or some permutation there in with demons, witches, whatever–I tried to change it more for my personal reading taste–and ended up a long ways from UF.

So then I started calling this story a Paranormal Romance.  Nope, BGC ends on a cliffhanger, and although it’s a very romantic, heart-wrenching act, it is not “happily ever after.”  Plus, the book just isn’t as steamy as what I typically write.  Only one big O scene, if you know what I mean, and only after at least 250 pages.  [I think all will eventually end well, never fear; it just won’t happen in this book.  I’m too much of a sap not to give the good guys a happy ending.  Eventually.]

So then I thought, what the hell did I write?  Contemporary Fantasy? It’s strong  in fantasy, yes.  Tons of Maya mythology.  But it doesn’t exactly feel like a fantasy.  It sort of feels like Science Fiction (the original inspiration was Stargate), but it’s definitely MAGIC that powers the world, not SCIENCE.

May suggested Thriller.  *I always hear Michael Jackson’s Thriller when I type that*  I was like, huh?  Seriously?  Yeah, I balked, until she reminded me of some of the Preston/Childs books I’d read and enjoyed.  I could see some similarities there.  So I punted and agreed.  However, I didn’t think about “suspense” so much when I wrote the book, so that required another revision pass to try and make it as tense and thriller-like as possible.

It’s got a rather large cast, three major plot lines not counting the romantic thread, lots of bad guys, and even Melville references.  [I’m sure I’ll take a hit on that one but he’s not a professor this time!  No Shakespeare.] The plot stretches across Texas, Guatemala, and the Yucatan.  Ironically, it’s all in the same time zone.  (You laugh, but I had it in my silly little head that surely Guatemala was in a different time zone than Dallas, TX.  Nope.)

Because this really isn’t a romance, my normal synopsis methodology isn’t working for me.  I can’t describe one plot line without bringing in the other two threads, which means introducing those POV characters, which complicates everything exponentially.  It’s so much easier in a romance to introduce the heroine/hero and maybe the antagonist and that’s it!  I can’t even easily introduce the antagonist because there are so many LAYERS of bad guys.  Let me count:  1 cursed warrior with no heart, 2 betrayers, 3 demons loose,  more demons trapped in hell and dying to get out, one crazy cancer patient, and his wealthy powerful friend determined to save him at any cost.  Did I miss anybody?

Crazy, I know, complicated, messy and yet…..I found myself reading it eagerly last night, savoring the twists and complexities.  I haven’t written anything quite like it before.  Which I know is bad in a whole different way, but this book PUSHED me.  In a good way.  I have the spreadsheets and diagrams to prove it.  :shock:

So I’m trying a new synopsis method outlined here, only I think I’ll have to introduce the two other POV characters and highlight their plot threads too, or the final resolution makes no sense whatsoever.  Yes, this calls for index cards, colored pens, and maybe Post-It Notes.  Be very afraid.

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Storms As She Walks Snippet

Here’s one more snippet, the end of the first chapter.  The story has been turned in, so stay tuned for details!  Again, this is a Civil War story, sweet on the romance, with a bit of Thunderbird mythology.

On the day of our first battle under Captain Steadman, I performed what I called the “Dawn Ceremony” as I’d done each day of killing in this miserable war. I’d made the whole thing up as a show to keep the men focused on my Indian heritage and not the curves hidden beneath my clothes, but it impressed them enough that I usually had quite a crowd. If I ever pretended to forget, they reminded me in a hurry.

I stood face up to the dawn, arms flung out, and I sang every Comanche song I’d ever heard on the reservation. I couldn’t always remember the words, so I hummed those parts. The men didn’t care, and I don’t think the Great Spirit minded much neither.

I always knew when the battle would go our way. If we were going to be victorious, I heard thunder, even if the skies were cloudless, brilliant summer blue. The thunder rolled in my blood, quickening my heartbeat, and sometimes I even felt the rush of wings fluttering against my face. My father had always claimed to be descended from Thunderbird, but until I heard the thunder and felt the pulse of wings in my heart, I’d never really believed.

This morning, I held my arms outspread until my muscles trembled and the horses pranced and snorted anxiously, but no thunder rolled across the horizon.

“You, there!” Captain Steadman yelled, and I felt his fierce gaze drilling into my back. “Mount up!”

My heart pounded slow and heavy, sweat dripped down my back, and my stomach was a roiling mass of sickness. I didn’t have to say a word to my two friends, Big John and Lying Abe. Grim-faced, they scanned the sky and then checked their weapons.

“What do the gods say, Injun?” Stinker rode by, absently scratching his crotch. “Will we have luck today?”

I shook my head, and his cheeks paled beneath his scraggly beard. Word spread quickly and the troops’ unease communicated to Captain Steadman. Stiff and straight in his saddle, he scanned our line, his mouth tightening at the nervous mounts. He locked his formidable gaze on me, but I remained silent.

I’d learned long ago that it was best to say as little as possible; my voice was distressingly feminine. My nonchalant shrug made his eyes narrow even more.

“I have three rules,” Captain Steadman’s low voice rang with intent. The horses stilled, ears flickering back and forth, as though they, too, were mesmerized by his words. “First, I will never ask you to do something that I myself refuse to do. Second, I’ll never leave a man behind.  I’ll do everything in my power to ensure none of you ever end up in a Confederate prison camp. I’ll shoot you myself before I allow you to suffer that fate. And you can be assured of my promise, gentlemen, because rule number three is I never lie.”

“How about slavers?” For once, Lying Abe, the trickster of our company, was dead serious.  If President Lincoln was “Honest Abe,” he joked he’d be the Lyin’ one, but the only thing I’d ever seen him actually lie about was cards.

His somberness only worsened the heavy feeling on my chest. Today was a dread day. I could feel it in my bones.

“I shan’t allow slavers to have you either,” Captain Steadman replied, his words ringing up and down the line. “You signed with good intentions to fight in this United States Army and no one shall claim you from this service except God himself.”

“Good, good, Cap’n.” Abe nodded vigorously, his eyes suspiciously wet in the weak dawn light. “Shoot me first.”

I don’t know the name of the place where we battled, nor even the Confederate commander on the other side of the fortifications. I remember that the summer heat beat us mercilessly, our horses’ flanks dark and damp long before the height of fighting; the trees and fields were green; and our orders were impossible. We were to charge the main Confederate line and eliminate the 6-pounder punishing our infantry.

Now our boys were superb at hit and run attacks, but the Rebs had had plenty of time to dig trenches about their precious gun. More, they had sharpened stakes and driven them down into a punishing wall of death for our horses. There weren’t no way, no how, we were getting a horse through that prickly wall of wood. We were going to have to go over.

Captain Steadman studied the fortifications through his glass. Moment by moment, his shoulders stiffened even more, his mouth a flat slash, his brow furrowed. He dropped the glass and stared down the hill as though his naked eyes could compute the likelihoods and distances. Someone started to whisper and the captain’s hand shot up, silencing us all.

Finally, he said in a low whisper, “I need your best jumpers. The horses with the most heart.”

He turned in the saddle and scanned the column. Instinctively, I wanted to draw back and fade into the rear lines. My ghostly gray mare was my only hope for my future. With my bounty and wages, I was going to buy a parcel of land. It would be mine, not the government’s, and once I found a stud for my mare, I was going to raise a herd of the finest horses in the land. I’d rather rip my tunic open and expose my breasts to the entire company than risk her.

But Captain Steadman had a fine eye for horseflesh. He recognized the fire in my mare’s eyes and cast an approving look at her deep chest and powerful haunches. “You, Indian, what’s your name?”

“Thunderer,” I growled out, forcing my tone as low and bass as possible.

“Can she clear a wall as tall as your head?”

I nodded, not daring a long explanation of my mare’s abilities.

“If we clear the branches, we’ll have a pace or two to gather ourselves and launch over their ditch. It’ll take some fancy riding. I fear that ditch is at least six foot wide. One misstep and the horses are dead.”

I didn’t say anything but shifted in my thin saddle, searching for a deeper connection with my mare’s sensitive skin. Her ears flickered back and I felt her muscles gathering beneath me. She knew exactly what was coming.

“Don’t bother with the rifle. Use that saber to cut down the guards. I’ll eliminate the gunner. You,” Captain Steadman pointed to Abe, proving his eye for horseflesh once again because no one had a rangier, more nimble horse, “follow us over and immediately begin clearing the abatis. Until we clear the spikes, we’ll be on our own.”

And so it was that I found myself galloping between my captain and a negro pell-mell down the hill straight toward certain death. We had to ride fast and low, hoping to dodge their sharpshooters. Minie balls whizzed about us, but I used the subtle pressure of my knees and weight to guide Mist in a weaving pattern across the ground. Ahead, the wall of spikes loomed, the fresh scent of wood in my nose, the raw, pale flesh bared of bark hungry to impale my own.

I reached up and touched the amulet I wore about my neck. The entire tribe–those few who still lived–had prayed and danced over it before I’d left the reservation. Thunderbird’s symbol with wings outstretched had been worked in beads.

Please, I prayed. Lend us wings. Let us soar.

Mist gathered beneath me and surged up over the spiked branches. I threw my heart and soul over that barrier, casting my will to the other side with no hesitation. The mare answered, powering us up and over. She landed hard but I kept my weight tight and centered against her withers. One pace and then I asked her again to jump for all she was worth in a long stretch across the six-foot-deep ditch.

She stumbled upon landing but quickly righted her footing. I couldn’t spare a glance to see if my companions had made it over because four men had been set to guard the cannon. A shot burned its way across my upper arm. I hissed with pain, but it was just a graze. I whirled Mist and charged the rightmost guard. He tried to duck out of the way but Mist and I had long ago learned the natural instincts of a foot soldier charged by a horse. I cut him down and galloped past the cannon.

Two men stood back to back, bayonets at the ready. I couldn’t risk my mare, so I sheathed the saber and dropped my hands to the weapons on my belt. Tomahawk in one hand, knife in the other, I threw both weapons and wounded the men enough to risk darting in and eliminating one with a saber cut. The other man scrambled out of the way with my knife buried in his shoulder.

A Reb jerked at my reins, trying to use his weight to pull the mare’s head down and throw us to the ground. I plunged my fingers into his eye. Shrieking, he let go and fell beneath Mist’s scrambling hooves.

Shouts warned that more reinforcements were coming. Smoke thickened the air, burning my lungs. Our troops had set the abitas on fire. Billowing dark clouds of ash and sparks choked me. The cannon. Had the captain made it over? Had he eliminated the gunner? In the thick air, I made out the body with my axe buried in his chest. I swung down and jerked it free, but I didn’t hope to ever see my knife again.

Abe limped toward me on foot and disappeared in the billowing smoke. “Thunderer!”

The dirt exploded between us. Mist screamed and reared, nearly unseating me. I muttered a curse at our own boys shooting cannon at us and started toward my friend.

Captain Steadman blocked the way with his horse. “I set the charge on the cannon. We’ve got to ride!”

Abe called out again, his voice close, so I risked disobeying my captain. If the charge went off or another cannonball blasted the area, then I wouldn’t live to suffer his punishment. Ears flat to her head, Mist trembled beneath me but charged through the thickening smoke.

A choked shout drew me toward Abe. I grabbed his forearm and tried to heave him up behind me, but he weighed too much for me to manage alone. Mist danced and snorted, making it more difficult for the wounded man to get his leg up over her rump. Another blast tore through the ground, tossing dirt and shards of rock in a geyser. Blood dripped into my eyes, blinding me. Abe must have been hit, too–his weight dragged at me, nearly pulling me off my horse.

From out of the thick smoke, Captain Steadman galloped toward us. He grabbed Abe’s other arm and together we made a run for it, carrying the wounded man between us. Foam flecked on Mist’s shoulders, but I didn’t dare slow her. When the cannon exploded with an angry roar, she found even more speed, forcing the captain’s mount to catch up or risk tearing Abe in half.

In the melee, we couldn’t tell up from down, let alone North from South. However, we did see Captain Steadman’s ratty old flag carried by someone galloping up the opposite hill. I’d never been so happy to see a flag in all my born days. We slowed enough to let Abe haul up behind Captain Steadman and then we trotted after our company.

My breathing didn’t slow; in fact, I was having a damned hard time catching my breath at all. I slipped a hand beneath my tunic and yanked out a piece of shrapnel. It must have cracked a rib, for every breath grew tighter and more painful.

I didn’t dare say a word. One look beneath my shirt and every man in Company L would know a woman had been sleeping and fighting in their midst for months.

“Thunderer, pick a man and take this soldier to the infirmary,” Captain Steadman ordered. “Your mount is done for the day.”

Big John had already moved over to help our wounded friend off the captain’s horse. There was no one more skilled in medical treatment in the whole regiment, and most of us would argue the entire Army. Not only had he received professional training at Rush Medical College in Chicago, but he also cared. He actually gave a damn whether we kept our legs and arms.

Not trusting my ribs, I stayed in the saddle and followed them to the makeshift tent. I hoped he didn’t need my help holding Abe down.

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Secret Project Snippet

So this is the little project I’ve been working on the last few weeks.  Months ago, Alison Kent had blogged about cool articles that had caught her interest, and the one bit about how many women had fought in the Civil War totally sent little ripples of Story tingling through my brain.  Then, as if by magic, I needed a Civil War story, and the rest is history.

I’m putting the final polish on it tomorrow and turning it in, but here’s a taste now that I finally got the opening spiffed up a little.  This is a Civil War era short story titled “Storms As She Walks.”  And yeah, I’m a total sap — of course it’s romance!  With a bit of Thunderbird myth and legend thrown in, too.

With wings of thunder and eyes of lightning, Thunderbird shall bring justice in our darkest hour.

A tattered rag flapped in the breeze above our new captain’s tent.  Captain Steadman swore that old flag had been in his family for generations.  He even claimed it had once hung above his great-grandfather’s tent in the Revolutionary War or some such nonsense.  It did only have thirteen dingy white stars, and once the bars might have been white and red, but now they were so stained the rag could have been Stinker’s unwashed longjohns from last winter.

Around the campfire his first night in our regiment, Steadman regaled Company L with that old flag’s history.  How a Redcoat bayonet had cracked the staff and damned near sliced the flag in half when it took the bearer’s arm off at the elbow.  Or how an arrow had gone clean through and killed his grandfather in the uprisings that had led to the Trail of Tears.  For a moment, Captain Steadman paused his tall tales and looked at me with a wary tightness about his eyes.

I made a point to touch the tomahawk hanging at my belt and leered in the general vicinity of his fancy hat.

Every man paled and drew back, even the two men I’d come close to calling friends in the past eighteen months we’d served in Pamby’s regiment.

That’s what I want, I reminded myself as I rose and swaggered into the night alone.  I needed them to fear me.  I played up my Comanche father’s blood as hard as the reservation teacher had paddled me every single day because I’d refused to answer to my Christian name.  I couldn’t afford for the men to look too closely beneath the floppy hat I’d scavenged from a farmer, my father’s buckskin tunic heavily beaded for ceremonies, and the baggy blue trousers the lazy sergeant had shoved across the table to me when I’d enlisted.

They might see the truth.

I used the darkness to slip past the lazy sentries and found a tight, thick grove of trees.  Straining my ears, I listened to the night breathing about me to ensure no one had followed.  Then I dropped my trousers and squatted to relieve my aching bladder.  Holding my water for the bulk of the daylight hours had grown easier with time, but I couldn’t get used to the way the men avoided bathing.  After a month of smelling my own body’s odor, I’d given up.  Now I took a dip in every river and creek we forded across Missouri, Arkansas and Kansas.  The men just shrugged and decided my cleanliness must be an Injun oddity.  As long as I shot and killed as many Rebs as possible, they tolerated me, although I never felt like I belonged.

A half-breed like me would never belong anywhere.

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Bloody 13

I grew up by a highway we called “Bloody 13” because of the many accidents.  My Mom worried about us kids driving back and forth on the highway all the time, and for good reason.  Highway 13 is the main road from Kansas City south to Springfield and Branson.  Back in the good old days, it was single lane most of the way — although now it’s a nice four lane.

One time in high school I was taking a friend home after school in my trusty blue (heap of junk) Firebird that I’d proudly bought myself.  I was sitting in my lane on Highway 13 waiting to make a left-hand turn through traffic.  Finally I saw a break — a semi truck was at the top of the hill, but I had plenty of time.  I gunned my car.

It died.

Yes, in the middle of Bloody 13 with a semi-truck barrelling down the road at me, my car died.  With my friend screaming, I slammed the gear back into park, started the car, and frantically got off the road, then we collapsed on each other in tears, relieved that we’d escaped.  Definitely the worst driving experience of my teen years, although the time a semi-truck ran me off in the grass the first time I drove in Kansas City traffic is a close second.

I realized that this month has been my Bloody 13 as far as writing, too.  Usually my trusty old writing car goes and goes.  It doesn’t need much maintenance.  The paint job might be kind of crappy, but as long as it gets me there, I don’t care much.  However, I sat down to write a novella this month, and my writing car died in the middle of Bloody 13.  I gave it gas, and it croaked.  There wasn’t anything there.

Oh, don’t get me wrong.  I wasn’t blocked.  I had the idea, the characters, and the plot.  I just couldn’t gun the engine to get the words.  The poor old car just choked and spluttered.  The more I floored it, the harder it choked, until it simply died with the semi-truck deadline zooming down at me.  I could write, and did, but each word was like pulling teeth.  The magic was gone.  My normal “spark” just wasn’t there.

Luckily this project was not under contract — else I would have killed myself to finish it on time.  Since it wasn’t contracted, I had to make a tough decision.  I had to actually give my old writing car a break and a tune up.  I had to give myself a break.

Looking back, I can identify numerous reasons for malfunction.  I had a huge project at the Evil Day Job that was stressing me out.  The monsters are out of school so our schedule is completely out of whack.  I always feel a significant slow down in the summer months.  For whatever reason, July and August are historically low production months for me.  I knew that, but thought a challenge would help me beat those dog days.

Plus, we just moved!  Every single time I go to cook something in the kitchen, I still have to go searching through the cabinets to find what I’m looking for.  We only got the car in the garage this past weekend, and none of my books are unpacked yet.

I’m feeling a bit better. I’m doing more creative work to refill the well.  This weekend, I’ll sit down with my calendars and decide what I want to work on in August.

Have you ever had your writing car die in the middle of Bloody 13?  If so, what’d you do to get that engine started again?

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Fast Draft Fail

So fast draft hasn’t been so fast.

Usually a personal and difficult challenge does the trick for me, but this time, I just can’t get my motivation in gear.  It’s like I’m stuck in neutral.  I have a lot on my plate at the Evil Day Job, and still can’t park in the garage because of the stuff I haven’t unpacked.  All my brain cells are depleted by the time I get my Word file open.  Dark & Early has been a bust — I’m just zonked in the morning.

On the bright side, I have my “twelve rules” figured out for the most part.  I need one more “big bang” rule that ties everything together, and a few more characterization details that I hope will come out in fleshing the draft.  Even if I can finish a first draft by July 31st, I’m not going to get it edited and polished.  I’ll just see what I can do.  Worst case, I may have a nice story to give away on the website this Christmas.  ;-)

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Mini Fast Draft: Day One

Yesterday was a pretty good start to Fast Draft; today, not so much.

That Man had to be up at 4:15 yesterday to make a long drive to KS, so I got up too.  I made 2K in the morning before work on the new story, which was exactly my goal.  Considering I didn’t have any real plotting done yet and only a vague idea of what I wanted to happen, I was pleased.

Over lunch, I read project #1 (first draft finished Sunday) to make sure it didn’t suck, and to my relief, I think it’s a pretty good story.  Needs more work, though — I’ve got a few plot things I want to amp up, tie together, etc.

While cooking dinner, I began plotting more on project #2.  I wrote out note cards for the scenes I did this morning and roughed out the next few scenes as well.  Like Dear Sir, I’m Yours had letters that tied the plot and character together, this story has a little element that I want to start each chapter off with.  The heroine is an attorney and has a list of rules that she never breaks, else disaster results.  She broke one right before the story opens, and now she’s dealing with the fallout and forced to call on someone who really messes up her careful ordered existence.

The hero, of course.  :mrgreen:

Ideally, since this is a Christmas-themed novella, I’d be tickled to end up with 12 rules, and thus 12 chapters to handle those rules, but we’ll see.  I wrote up a little backstory for each character, but I’m still missing the characters’ static traits.  Since those have to be set early and shown repeatedly, I already know that’s going to be a revision item I need to allow time for.  I have the theme and the metaphor for that theme, so that’s good.  Just need those crucial static traits.

Of course, I went to bed very early last night to enable another Dark & Early session this morning, but the phone rang off the hook and then I couldn’t sleep.  So I’m starting off seriously behind today.  Somehow, somewhere, I need to find time to get 2K new words and brainstorm static traits!!

Any little Christmas, dating rules, or attorney jokes you want to share?  Pithy little sayings that will be fun for the hero to use against my heroine.  Stuff like “Love isn’t worth getting sued over,” or “People lie — the law never does.”

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Mini Fast Draft

So this week, I’m going to attempt to write a novella.  I say attempt because it’s not quite solid in my mind yet.  It’s a bit mushy.  Or maybe that’s simply my brain, because I wrote over 7K this weekend to finish project #1.

That Man has to be up very early tomorrow for his Evil Day Job, so I plan to get up and see what I can do.  I didn’t finish nearly as much pre-work as I hoped.  I don’t have the plot outlined.  I don’t even have the backstory or character maps done.  Sigh.  But I can hardly keep my eyes open and it’s only 9 PM.

So it may be rocky to start.  I’ve got to try, though.  I’ll let you know how it goes.

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LB&LI: Writing Transformative Sex – Part 2

LBLI2009

(Click the image to visit PBW for more great workshops!)

So you know you want to avoid Plot Interrupted and Tab A/Slot B mechanics, but how do you get “down and dirty” into the emotions of a really deep sex scene?

Here are a few different approaches that may help.  Different stories/characters require different techniques, so don’t be afraid to experiment!  Some of these begin to overlap and cross over — because each one is trying to get to the CORE of what your character needs — and fears.

Glass Half Empty Approach

Or, everything I learned about characterization, I learned from Paperback Writer.  Okay, not quite everything, but I often come back to Lynn’s three basic character questions:

  1. Who are you?
  2. What do you want?
  3. What’s the worst thing I can do to you?

So ask these questions with intimacy in mind.  This is a really good technique for pushing boundaries and hitting hot buttons with readers, and definitely how I approached Conn and Rae in Dear Sir, I’m Yours.  What’s the worst thing I could do to a college professor?  Make him fall in love with a student.  Not only would any kind of relationship with a student be forbidden, but they’re also leaning toward a politically incorrect BDSM relationship, a double whammy.

Some key questions that might get the juices flowing: when it comes to intimacy,

  1. What do you need?
  2. What’s the worst thing you think you might need?
  3. What sexual limits are you afraid of or challenged by?

True Transformation

Sometimes you can use sex to show a significant change to a character’s perception, their physical shape (paranormal), or their world view.  In Beautiful Death, Isabella is physically changed by a viral mutation and must depend on Hades for survival.  In my friend, Jenna Reynolds‘ novella The Emissary, Shina is able to use sex to change the Kjartan alien’s perception of not just her but her entire world.

Questions to ask your character:  how can sex/intimacy change

  1. your opinion of your partner?
  2. your perception of yourself?
  3. how you view the world or society in general?

This kind of approach is great when you have two polar opposites, like different cultures or enemies.

Romantic Approach

For a romance, two questions I always ask myself are:

  1. Why is the hero the worst possible match for this heroine?
  2. Why is he the best possible match for her?

Now change that up and think of it from an intimacy/sexual angle.

  1. How are they incompatible sexually?
  2. How are they perfectly matched sexually?

There are all sorts of ways to build opposing needs through intimacy.  Maybe one character needs/wants kink and the other fears it — or perhaps there is a particular act that one party avoids or fears.  Maybe one is very conservative and the other character has been promiscuous in the past.

Even better, deepen this fear to something buried in the characters’ past (see the Haunted Past).  Our “core beliefs” about who we are were formed when we were children.  Deep down, we all fear that we’re unlovable for some dread reason.

Raise the Stakes

Sex can be dangerous for many reasons.  Ask your character:

  1. What can I lose?  What’s it going to cost?
  2. What can I gain?
  3. What am I willing to sacrifice in order to get closer to this person?

The Haunted Past

While we don’t need info dumps of backstory, it’s important to have a richly defined past for your characters.  What are the key events that happened outside the story that shaped who your characters are today?  Specifically, think about their sexual encounters.

    1. What haunts them today?
    2. What emotional scars do they still carry?

    Hero’s Journey

    My friend Jenna already did a fantastic post on writing sex scenes that matter using the hero’s journey.  We both highly recommend the Emotional Toolbox — I use it for every single story.  When all else fails and I can’t get the pieces of character and plot to come together, I can always turn back to my simple drawing of the mask, want, and need to come up with the answer.  Some questions that might help you identify the character’s mask — and ultimately rip it away:

    1. Deep down, what fear keeps you from being with this person?
    2. How can intimacy force me to face this fear?
    3. How can I use my fears to push this person away?
    4. How can sex with this person cause a setback to my goals (whether external or internal)?

    Example

    Referring back to Jenna’s story, The Emissary has some lovely flavors of the Japanese geisha mixed into a futuristic science fiction world.  Shina is in training to become a courtesan, but she never expects an alien to pay her virgin price.  When she meets the Emissary, he deigns to even give his name.  He’s cold and harsh, but Shina has been trained to be gracious and willing to provide any pleasure her partner requests.

    The Emissary ridicules her society and her.  She is too soft.  She would never survive on his planet.  She is small, like a little willow, and that’s what he begins to call her as they begin the “pillowing.”  However, Shina tells him a story of how the mighty oak tree fared when it refused to bend before the vicious wind.  The willow swayed in the wind and survived, while the oak suffered defeat.

    Indeed, this story is played out through their sex scenes.  She is the willow, bending to his demands.  No matter how fiercely he blows, she gives, gladly, and finds pleasure in his touch.  Her softness and the delicious way she sways in his wind is exactly what he finds so intriguing, and in the end, the might oak falls.

    Through sex, Shina changes the Emissary’s complete world view, forcing him to admit that she is the emissary.  She has brought their cultures together.

    Discussion:  Can you suggest any other questions to access our characters’ deepest sexual fears and desires?

    Share them in comments (or simply throw your name in the hat) to be entered to win a $30 gift certificate to any online bookstore retailer and winner’s choice of any book from my backlist.

    As Lynn always says, anyone on the planet can enter, even if you’ve won something from me before.  I’ll accept comment entries through midnight CST Sunday night, July 19th, on this post, or you can e-mail me ONCE (joely AT joelysueburkhart DOT com).  One of the monsters (my kids) will draw names on Monday and I’ll post all winners then.