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Cross-Stitch Monsters

Since I’ve been struggling to focus on the writing front, I thought a creative break might help.  We worked on organizing/unpacking more things out of the garage (so we could finally get the van inside!) and I found two huge containers of cross-stitch supplies.  Suddenly I found myself very much interested in working on something.  This is huge — I haven’t started a NEW project since we moved from MN  about nine years ago (although I did finish several WIPs).

The monsters saw me dragging out all these intriguing materials, threads, beads, and twenty+ years of patterns, and all the sudden they all wanted lessons.  It’s been hilarious, frustrating, and sweet watching them learn to varying degrees.

Princess Monster doesn’t have the patience to sit and read a pattern.  She’d much rather create her own.  She can work pretty much independently.  Littlest Monster wants to try making varying stitches all over her material.  I didn’t try to get her to stay in the holes or follow any sort of pattern–she just had fun picking colors.

Middle Monster shocked me.  She picked out a pretty complicated pattern for a seven-year-old beginner (Gloria & Pat’s Endangered Young’uns–she’s making the cougars).  She sat with me all evening making tiny little squares and learning how to follow the pattern.  She stopped only because she said was starting to get a headache (and Mom needs to go to bed).  She can’t read a pattern all by herself yet, but it won’t be long in coming. 

I’ll post a picture of PM’s own designed piece once she finishes it.  For now, here’s Middle Monster proudly showing off her work, and then a picture of my short wip.  My pattern is a freebie from Ink Circles (my new favorite designer) stitched on black Aida with DMC 115 varigated red.

MM StitchesStitchery

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Fast Draft Fail

So fast draft hasn’t been so fast.

Usually a personal and difficult challenge does the trick for me, but this time, I just can’t get my motivation in gear.  It’s like I’m stuck in neutral.  I have a lot on my plate at the Evil Day Job, and still can’t park in the garage because of the stuff I haven’t unpacked.  All my brain cells are depleted by the time I get my Word file open.  Dark & Early has been a bust — I’m just zonked in the morning.

On the bright side, I have my “twelve rules” figured out for the most part.  I need one more “big bang” rule that ties everything together, and a few more characterization details that I hope will come out in fleshing the draft.  Even if I can finish a first draft by July 31st, I’m not going to get it edited and polished.  I’ll just see what I can do.  Worst case, I may have a nice story to give away on the website this Christmas.  ;-)

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Pre-Order The Rose of Shanhasson

Wheeeeeee, look!  The print release of Rose is officially available for pre-order at B&N and Amazon!

I have a ton of flyers printed off (and I’ll do bookmarks next month) so if you’d like any to distribute in your local bookstores, etc. just drop me a note and I’ll gladly mail you some!

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Mini Fast Draft: Day One

Yesterday was a pretty good start to Fast Draft; today, not so much.

That Man had to be up at 4:15 yesterday to make a long drive to KS, so I got up too.  I made 2K in the morning before work on the new story, which was exactly my goal.  Considering I didn’t have any real plotting done yet and only a vague idea of what I wanted to happen, I was pleased.

Over lunch, I read project #1 (first draft finished Sunday) to make sure it didn’t suck, and to my relief, I think it’s a pretty good story.  Needs more work, though — I’ve got a few plot things I want to amp up, tie together, etc.

While cooking dinner, I began plotting more on project #2.  I wrote out note cards for the scenes I did this morning and roughed out the next few scenes as well.  Like Dear Sir, I’m Yours had letters that tied the plot and character together, this story has a little element that I want to start each chapter off with.  The heroine is an attorney and has a list of rules that she never breaks, else disaster results.  She broke one right before the story opens, and now she’s dealing with the fallout and forced to call on someone who really messes up her careful ordered existence.

The hero, of course.  :mrgreen:

Ideally, since this is a Christmas-themed novella, I’d be tickled to end up with 12 rules, and thus 12 chapters to handle those rules, but we’ll see.  I wrote up a little backstory for each character, but I’m still missing the characters’ static traits.  Since those have to be set early and shown repeatedly, I already know that’s going to be a revision item I need to allow time for.  I have the theme and the metaphor for that theme, so that’s good.  Just need those crucial static traits.

Of course, I went to bed very early last night to enable another Dark & Early session this morning, but the phone rang off the hook and then I couldn’t sleep.  So I’m starting off seriously behind today.  Somehow, somewhere, I need to find time to get 2K new words and brainstorm static traits!!

Any little Christmas, dating rules, or attorney jokes you want to share?  Pithy little sayings that will be fun for the hero to use against my heroine.  Stuff like “Love isn’t worth getting sued over,” or “People lie — the law never does.”

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Mini Fast Draft

So this week, I’m going to attempt to write a novella.  I say attempt because it’s not quite solid in my mind yet.  It’s a bit mushy.  Or maybe that’s simply my brain, because I wrote over 7K this weekend to finish project #1.

That Man has to be up very early tomorrow for his Evil Day Job, so I plan to get up and see what I can do.  I didn’t finish nearly as much pre-work as I hoped.  I don’t have the plot outlined.  I don’t even have the backstory or character maps done.  Sigh.  But I can hardly keep my eyes open and it’s only 9 PM.

So it may be rocky to start.  I’ve got to try, though.  I’ll let you know how it goes.

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Sweet Spot by Jenna Reynolds

Happy release day to my friend, JennaSweet Spot is available today from Ellora’s Cave.  I haven’t had a chance to read it yet — it’ll be my reward once I get through July’s insane projects.  A dentist vs. an erotic candy maker — talk about built-in conflict!

Alice Parker loves sweets and nothing gives her more pleasure than whipping up a sizzling batch of erotic candy. Especially for the bachelorette party her best friend is holding for her daughter. That is, until she meets Edward Larkin. Now all Alice can think about is how to get the hunky orthodontist into bed so she can slowly lick every luscious inch of him.

Edward doesn’t eat sweets and often warns his patients about overindulging. So the last thing he wants to hear is that Alice, the very sexy candy store owner, is providing a huge candy buffet for his niece’s wedding. A wedding he has come to town to stop. One way or another.

Alice is a tempting treat Edward just has to sample—and one taste might never be enough.

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LB&LI: Writing Transformative Sex – Part 2

LBLI2009

(Click the image to visit PBW for more great workshops!)

So you know you want to avoid Plot Interrupted and Tab A/Slot B mechanics, but how do you get “down and dirty” into the emotions of a really deep sex scene?

Here are a few different approaches that may help.  Different stories/characters require different techniques, so don’t be afraid to experiment!  Some of these begin to overlap and cross over — because each one is trying to get to the CORE of what your character needs — and fears.

Glass Half Empty Approach

Or, everything I learned about characterization, I learned from Paperback Writer.  Okay, not quite everything, but I often come back to Lynn’s three basic character questions:

  1. Who are you?
  2. What do you want?
  3. What’s the worst thing I can do to you?

So ask these questions with intimacy in mind.  This is a really good technique for pushing boundaries and hitting hot buttons with readers, and definitely how I approached Conn and Rae in Dear Sir, I’m Yours.  What’s the worst thing I could do to a college professor?  Make him fall in love with a student.  Not only would any kind of relationship with a student be forbidden, but they’re also leaning toward a politically incorrect BDSM relationship, a double whammy.

Some key questions that might get the juices flowing: when it comes to intimacy,

  1. What do you need?
  2. What’s the worst thing you think you might need?
  3. What sexual limits are you afraid of or challenged by?

True Transformation

Sometimes you can use sex to show a significant change to a character’s perception, their physical shape (paranormal), or their world view.  In Beautiful Death, Isabella is physically changed by a viral mutation and must depend on Hades for survival.  In my friend, Jenna Reynolds‘ novella The Emissary, Shina is able to use sex to change the Kjartan alien’s perception of not just her but her entire world.

Questions to ask your character:  how can sex/intimacy change

  1. your opinion of your partner?
  2. your perception of yourself?
  3. how you view the world or society in general?

This kind of approach is great when you have two polar opposites, like different cultures or enemies.

Romantic Approach

For a romance, two questions I always ask myself are:

  1. Why is the hero the worst possible match for this heroine?
  2. Why is he the best possible match for her?

Now change that up and think of it from an intimacy/sexual angle.

  1. How are they incompatible sexually?
  2. How are they perfectly matched sexually?

There are all sorts of ways to build opposing needs through intimacy.  Maybe one character needs/wants kink and the other fears it — or perhaps there is a particular act that one party avoids or fears.  Maybe one is very conservative and the other character has been promiscuous in the past.

Even better, deepen this fear to something buried in the characters’ past (see the Haunted Past).  Our “core beliefs” about who we are were formed when we were children.  Deep down, we all fear that we’re unlovable for some dread reason.

Raise the Stakes

Sex can be dangerous for many reasons.  Ask your character:

  1. What can I lose?  What’s it going to cost?
  2. What can I gain?
  3. What am I willing to sacrifice in order to get closer to this person?

The Haunted Past

While we don’t need info dumps of backstory, it’s important to have a richly defined past for your characters.  What are the key events that happened outside the story that shaped who your characters are today?  Specifically, think about their sexual encounters.

    1. What haunts them today?
    2. What emotional scars do they still carry?

    Hero’s Journey

    My friend Jenna already did a fantastic post on writing sex scenes that matter using the hero’s journey.  We both highly recommend the Emotional Toolbox — I use it for every single story.  When all else fails and I can’t get the pieces of character and plot to come together, I can always turn back to my simple drawing of the mask, want, and need to come up with the answer.  Some questions that might help you identify the character’s mask — and ultimately rip it away:

    1. Deep down, what fear keeps you from being with this person?
    2. How can intimacy force me to face this fear?
    3. How can I use my fears to push this person away?
    4. How can sex with this person cause a setback to my goals (whether external or internal)?

    Example

    Referring back to Jenna’s story, The Emissary has some lovely flavors of the Japanese geisha mixed into a futuristic science fiction world.  Shina is in training to become a courtesan, but she never expects an alien to pay her virgin price.  When she meets the Emissary, he deigns to even give his name.  He’s cold and harsh, but Shina has been trained to be gracious and willing to provide any pleasure her partner requests.

    The Emissary ridicules her society and her.  She is too soft.  She would never survive on his planet.  She is small, like a little willow, and that’s what he begins to call her as they begin the “pillowing.”  However, Shina tells him a story of how the mighty oak tree fared when it refused to bend before the vicious wind.  The willow swayed in the wind and survived, while the oak suffered defeat.

    Indeed, this story is played out through their sex scenes.  She is the willow, bending to his demands.  No matter how fiercely he blows, she gives, gladly, and finds pleasure in his touch.  Her softness and the delicious way she sways in his wind is exactly what he finds so intriguing, and in the end, the might oak falls.

    Through sex, Shina changes the Emissary’s complete world view, forcing him to admit that she is the emissary.  She has brought their cultures together.

    Discussion:  Can you suggest any other questions to access our characters’ deepest sexual fears and desires?

    Share them in comments (or simply throw your name in the hat) to be entered to win a $30 gift certificate to any online bookstore retailer and winner’s choice of any book from my backlist.

    As Lynn always says, anyone on the planet can enter, even if you’ve won something from me before.  I’ll accept comment entries through midnight CST Sunday night, July 19th, on this post, or you can e-mail me ONCE (joely AT joelysueburkhart DOT com).  One of the monsters (my kids) will draw names on Monday and I’ll post all winners then.