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2/8/2009

Last week’s goals:

 

  1. Take a look at my NSR day sheet and decide if I’m going to keep Dr. Charles Merritt’s POV or not.  I axed his POV for now; if nothing else, I’ll use these sections as “DVD extras” to give away.  I also found a way to resolve the other character’s thread that I believe will allow him to be on stage in Dallas after all.  I’m really looking forward to the way these characters will interact. 
  2. NSR:  at least another 10K in revision.  Close:  9,017 in revision.  The dreaded sex scene took longer than I anticipated.  In the first draft, I was trying for a sexy book.  After plotting these other threads and complicating the overall plot significantly, the romance is a much more minor angle.  It’s well over 200 pages into the story before Ruin and Jaid get together, which is fine.  However, the culmination of that thread just didn’t fit at all with the revision.  Frankly, it was pretty bad, one of the worst sex scenes I think I’ve ever written. :oops:  Have no fear, though, it’s much better now!  Shockingly, I think it’ll be the only intimate scene in the book.  I just don’t have time or opportunity to throw them together in a place of safety again.  From this point out, it’s bam bam bam action.  No time for nookie!
  3. Plot 7Crows.  Finished.  I have a pretty good block figured out.
  4. Begin first draft of 7Crows.  Sort of started.  I have several pages of hand written notes.  I’m oddly reluctant to begin this story.  I think I’m a little afraid of it.  If I don’t get a good start on it this week, it’ll be too late to even consider finishing the story in time.  I’ll simply set it aside and concentrate fully on the Maya story.  Once it’s done, I’ll have plenty of time to come back to the novella — I’ll just have to decide what to do with it if I miss the deadline!

Goals this week:

  1. Write up Character Clinic posts in advance so I’m not all stressed out this weekend.  I want at least 3 posts set up and ready to go.
  2. Another 10K in Maya revision. 
  3. Make final decision about whether to try for 7Crows this month or not.

I didn’t get quite as much done this week — mostly because of the good news I shared on Friday.  Ironically, good news can derail me as easily as bad news.  I was stressed out about questions and working out a possible relationship with an agent.  The latter didn’t pan out, but I was closer than ever, which makes me very happy.

Friday night, we had an unexpected get-together with That Man’s family.  We ended up shopping for a sheet (not a sheet SET which would have been much easier!) with his mother at JCPenney’s after dinner.  Standing around visiting, and bored, I might add, I didn’t realize that Middle Monster decided to race straight at me from behind and plow into me full speed.  It was like whiplash–in my lower back.  Ironically enough, the one time I was on muscle relaxers for a strained back, I had hurt myself manuevering her infant seat (fully loaded with MM herself!) into the back seat of the car. 

It’s not all that bad, yet, but I definitely feel like I’m wearing a very low-slung belt around my hip area, and after long periods of sitting (aka church this morning) that belt gets tighter and tighter.  I may have to use the heating pad to get through work tomorrow.

Tonight I wrote a quite long scene in Quinn’s POV that I didn’t expect.  Yes, I have a detailed spreadsheet.  Yes, I plotted out the rest of the block.  I had “Team Update” in this spot, and as soon as I got his team together, they informed me that the serial murderer they’re tracking had struck again, this time on the outskirts of Dallas.  This prompted a lot of Googling until I decided on the appropriate location and did enough research to get the site details down.  Then of course I had to decide WHAT happened and why that was significant.  Took me all day off and on (while we watched the NFL ProBowl, so I wasn’t fully dedicated) but I finally finished that scene.

Snippet:

“It’s getting stronger.”  Quinn’s stomach felt tight and small, clutched like a fist.  “It took time to play with them this time.”

“Why,” Ballard cleared his throat nervously, “do you say that?”

“Look at the broken vase, the disarray.  Someone came to the door, and then ran when the demon busted through.  We know how strong this thing is, how fast.  It could have killed whoever came to the door then, but instead, it played.  It enjoyed the chase.”

Sickened, Quinn led the way deeper into the house.  The first body was an older woman in the kitchen.  Her white apron looked like a gallon of ketchup had exploded on her.  Eyes wide open and staring up at the ceiling, she lay twisted on the Travertine tiles, chest flowered open as before, but…

“Where’s the blood?”  Dylan asked, his breath a loud pant in the room as he took another picture.  “There’s not a drop on the floor.”

The walls were pristine, the shining, polished cabinets clean.  The woman’s skin wasn’t slack and saggy as with the other victims.  Other than the mess of her chest, she could have simply slipped on a wet tile. 

“Did it gain some new power?”  Ballard asked.  “Or maybe it’s not as hungry.  Maybe all it needed was the heart.”

From the far end of the kitchen, Cruz stepped in and waved them toward her.  “Or maybe there were plenty of fresh, young victims waiting just on the other side of the door.”

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Happy Birthday, Sis!

Over the years, it’s become a tradition that I write a line or two to the “Irish Drinking Song” game they used to play on Whose Line is it Anyway?  Especially for my sister’s birthday, which is today!

This is a true story:  how The Rose of Shanhasson came to be.

O, hidey-hidey hidey-hidey hidey-hidey ho, it’s down the road we go!

Five years and more it’s been,

Since Sis called with a grin.

“I have a secret now to tell,

I’m so excited I could yell!”

 

Her first book was complete,

Beginning to end replete.

I begged and begged a chance to read,

But crafty Sis had a case to plead.

O, hidey-hidey hidey-hidey hidey-hidey ho, it’s down the road we go!

 

“I know you’re writing too, dear Sis,

Exchange for mine with no desist.”

Agog, I choked and hummed and hawed,

Afraid and honestly, a bit in awe.

 

I wrote, sometimes, when the mood arose,

But never finished any prose.

“Fair is fair!” Trumped my dear Sis.

“All you’ve got; I insist!”

 O, hidey-hidey hidey-hidey hidey-hidey ho, it’s down the road we go!

 

With trembling hands, I sent the file

First story, I’d been dreaming a while,

Trying to finish but not quite sure,

Whether or not I would endure.

 

Then Sis replied, “You have to finish!

Your love for this story nothing diminish!

You have to get Shannari free,

And back to Rhaekhar, so I decree!”

O, hidey-hidey hidey-hidey hidey-hidey ho, it’s down the road we go!

 

And so, dear friends, that’s how I came,

My first story, finished, to Sis the blame.

In all these years, she still is there,

Cheering, hugging, sending her care.

 

Without her love I would be lost,

Adrift on the sea and wildly tossed.

So lift your mug and raise your voice,

“ Best Sister Friend, there’s no other choice!”

O, hidey-hidey hidey-hidey hidey-hidey ho, it’s down the road we go!

 

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The News

I didn’t know that Ann was prophetic.

Before Christmas, she mailed me the coolest goodies.  Inside, I found signed Larissa Ione books (fan girl squee!), shells, and RT swag, including dozens of postcards, bookmarks, and a big comfy red blanket.

Of course, I didn’t get to keep the blanket for long. 

Princess Monster snuggles
Princess Monster snuggles

 

Someone was always stealing my blanket! 

Middle Monster hugs (chokes) Littlest Monster
Middle Monster hugs (chokes) Littlest Monster

Then some wonderful news came.  I danced and yelled down the hall and the monsters came running.  When they heard the news, they grabbed the red blanket and raced around the house shouting and waving it like a banner.

You see, Conn and Rae of Letters to an English Professor have found a home at:

Samhain
Samhain Publishing

Conn’s story will be getting a new title too.  So if any of you have read snippets or my blabbering about the story and have a title suggestion, shout it out!

Thanks to everyone who has read Letters in its various incarnations and provided feedback; who gave me the courage to send out such a spicy story; who talked me off the cliff once or dozens of times; and a huge thank you to Angela James and Samhain for giving Dr. Connagher a chance for more pop quizzes and smoldering poetry lessons!

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Invitation: Character Clinic

In honor of Valentine’s Day, I’m going to host a “101 Ways to Love Your Characters” clinic here on the blog, beginning Friday, 2/13 thru Sunday, 2/15.  This invitation is open to anyone on the planet who has anything at all to say about characters.

If you’re a reader, I want to know about your all-time favorite characters and why you love them.

If you’re a writer, I want to know about all your tricks and techniques that help you create memorable characters.  My friend Jenna is going to blog about using tarot; my friend Soleil is going to use astrology; and I’m going to talk about a variety of things, like static traits and possibly what I’ve learned using I Ching. 

The clinics will be informal, chatty, and above all, fun!

I’ll post daily Clinic entries here, linking to everyone who’s participating to share the link love.  Simply e-mail me (see the About tab) or comment on any post and leave me your link to be included.  I’ll be giving away two prizes:  one to the posters; one to the commenters (on any participating blog entry, not just mine).  Posters may comment to gain more chances to win. 

Since Ann and Bethanie can attest to how much I suck at getting packages in the mail *mutters at self and eyes the box on the corner of my desk that I should have mailed last freaking year!!*, the rules are very simple.  Up for grabs:  two $20 prizes, winner’s choice

  • Amazon order (that qualifies for Amazon Prime or includes shipping) up to $20
  • any online book retailer $20 gift certificate (Amazon, B&N, Fictionwise, Drollerie Press bookshop, etc.)

So make a note on your calendar and I hope to see you next weekend!

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2/4/2009

Dark and Early this morning, I accomplished the following:

  • went back and revised the last scene involving Tara and cut out the stuff that happened too early.  Rewrote the scene to fit with the day sheet.  NSR total word count down 266 words.
  • wrote next new section in Tara’s POV, 1199 words, the official “meet” of her thread with Quinn’s.  From now on, they’ll be working in conjunction.

Next scenes are the first sex scene of the first draft, and they’re pretty bad.  They’re going to need a ton of work.  Once I get past it, though, the next few scenes should fly.

Snippet:

[Ruin] muttered words [Jaid] didn’t understand and drew the blade across his left palm.

Fisting his hand, he dripped blood on the altar and then flung his hand hard, slinging blood out onto the waters below.

Breathlessly, she scanned the lake, waiting.  When her father had performed the ritual, he’d released an inland hurricane.  She glanced at Ruin as he put the knife away and then back at the lake.  “That’s it?”

His mouth quirked.  “When done correctly, yes.”  Stones clacked together.  He whipped his head around, staring down into the darkness of the plaza.  “They’re close.  We need to go.”

“Go where?”  Bewildered, she searched the still waters, the three volcanoes perfectly reflected.  Something tinged on the altar and chips of stone flew up, stinging her arm.

Ruin shoved her up the ramped stone, using his body to cover her.  “They’ve seen us.  Go!”

On the rock slab that hung out over the water, she felt her stomach pitch and her head whirled like a merry-go-round.  Shimmering waters beckoned, but it was quite a drop.  This lake was so deep that it’d never been sounded.  She remembered how her father had disappeared beneath the surface.  He hadn’t flailed or tried to swim; he’d sunk like a boulder. 

Shivering with fear, she reached back and clutched Ruin’s hand.  He wrapped his other arm around her, and together, they jumped.

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NSR Block

Revision Xibalba has been going well the last few weeks.  Which is good.  Great!  Until I ran out of “Block” today.

NSR contains the most complex plot I’ve ever woven before.  Although the first draft is finished–so I know where the main story arc goes and ends–I’ve added two new POVs, each with its own sub-plot.  Those two sub-plots meet at the same time the main story arc reaches its climax.  Revision “Hell” has been appropriate, because I’ve got several concurrent threads to handle, in different parts of the world, but they have to MEET at the right time.  Some sections are finished in first draft.  Others I haven’t started.  Now as I work through the second major draft, some scenes have been edited and smoothed.  Others haven’t.

It’s been insane, challenging, and even though I may bitch about it, I’m loving every minute of it. 

I’ve used section “blocks” (like the one I created for 7 Crows last night) many times before, but this time, I needed more detail than ever.  I ended up using the “Day Sheet” idea talked about in Karen Wiesner’s First Draft in 30 Days (which oddly, I’ve never used for first draft, but for major revisions!) and manipulating it into something useful for this project.

Today over lunch, my great achievement was going through the old first draft, my stack of notecards, my jotted notes, and finishing the Day Sheet, at least a first draft which can be used to complete the rest of the revision.  (Note:  I’m not a rigid writer.  This spreadsheet WILL change.  It gives me a guide to go by, but if in writing the section, I feel a break is needed or a different scene will flow better, I’ll do so, and then make the corresponding change to the table.)

At a glance, this is how much work I have left to finish.  Notes follow the table.

 

Day Scene POV Total POVs for Character Status Location Chapter Count Scene Title
3 PM 039 Tara 6 FD Dallas        Haunted
3 PM 040 Ruin 8 SD Lake Atitlan     My Last Sacrifice
3 PM 041 Jaid 22 SD Lake Atitlan     Everything has a Cost
3 PM 042 Quinn 6 FD Dallas     Bad Things, Amigo
3 PM 043 Ruin 9 SD Chi’Ch’ul     Price of Sacrifice
3 PM 044 Jaid 23 SD Chi’Ch’ul     Jaguar Kiss
3 PM 045 Jaid 24 SD Chi’Ch’ul     Through the Navel
3 PM 046 Tara 7 IP Venus Star     Nightmares Come Alive
3 PM 047 Ruin 10 FD Chich’en Itza     Low Reserves
3 PM 048 Jaid 25 FD Chich’en Itza     Everyone Dies
3 PM 029 Quinn 7 NS Dallas     Team Update
4 AM 050 Ruin 11 FD Chich’en Itza     Cost of Magic
4 AM 051 Jaid 26 FD Chich’en Itza     Hidden Dagger
4 AM 052 Ruin 12 FD Chich’en Itza     Blood Keyed
4 AM 053 Jaid 27 FD Chich’en Itza     Drowning in Blood
4 AM 054 Tara 8 NS Venus Star     Save a Life
4 PM 055 Jaid  28 FD Iximche     Doomed
4 PM 056 Jaid 29 FD Iximche     Translation Under Duress
4 PM 057 Ruin 13 FD Iximche     Heart’s Duty
4 PM 058 Quinn 8 NS Dallas     Hospital Visit
4 PM 059 Jaid 30 FD Iximche     Iximche Key
4 PM 060 Jaid 31 FD Iximche     Desperate Bargain
4 PM 061 Jaid 32 FD Iximche     To Xibalba
4 PM 062 Tara 9 NS Venus Star     Venus Star Showdown
4 PM 063 Ruin 14 FD Iximche     Butterfly’s Devastation
4 PM 064 Jaid  33 FD Iximche     The Caged Heart
4 PM 065 Ruin 15 FD Iximche     My Heart is Yours
4 PM 066 Quinn 9 NS Venus Star     The Dallas Gate
4 PM 067 Jaid 34 FD Iximche     The Final Death
4 PM 068 Jaid 35 FD Iximche     Broken
4 PM 069 Ruin 16 FD Iximche     Home
4 PM 070 Jaid 36 FD Iximche     Closed and Locked
4 PM 071 T/Q 10 NS Venus Star     Tie Up
4 PM 072 Jaid 37 FD Iximche     Tie Up

 

Notes:

  • Color coding is important for me.  I can see at a glance if the POVs make a pleasing tapestry of Story.  Usually the color means something specific to a character, or invokes a “feeling” in me about the character. 
  • I ended up not using the chapter and word count columns after I got knee-deep in revision.  I’ll leave them off next time.
  • The day column isn’t specific.  e.g. 3 PM means the 3rd day, sometime after noon and before midnight.  When I finish this draft, I intend to go back through and read for time incongruences only.  e.g. I can’t have Tara do something in the morning, and then switch the scene and it’s night in Guatemala, and then go back to Dallas and it’s noon.  This isn’t science fiction!
  • I pick section titles that should immediately invoke the details of the section, but the day sheet alone isn’t enough of an “outline” for me, if very much time elaspes.  E.g. I have notecards for each section with details and thoughts jotted down, and every time I *don’t* write something down because I think I’ll remember it, I end up kicking myself.
  • Status = FD (first draft complete), SD (second draft with editing/smoothing complete), IP (in progress), NS (not started).
  • I backtracked to the scene in red at the top because it needs a rather major revision after I finished the rest of the block today.  I have something happening too early there and it needs to be removed.

Have you ever done or needed something this complex before?  Or am I simply making it too hard on myself?  :mrgreen:

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02/02/2009

By word count alone, I ended up negative today in NSR.  I wrote the next new section in Quinn’s POV — braving Melville to do so — and then axed the only section in Dr. Charles Merritt’s POV in the second major draft, which was longer.  I also did some shuffling around of character placement.  A character needed to die a bit earlier than I planned.  Good work, even if the word count doesn’t reflect it.

Then tonight my Amazon order arrived containing The Complete I Ching.  I’d bought this book as research for my hero in 7Crows, and whoa, it’s so interesting!  I’ve been trying to plot it out, but couldn’t seem to get the pieces to fall into the right order in my mind.  So I decided to play out a toss of the coins and see if I could get a plot.  I got so many good ideas, it was freaky.  I ended up plotting the whole thing tonight.

For example:  Tian’s, the hero’s, static trait is that he always consults the coins.  The first scene shows him doing this.  So naturally, in his darkest moment of betrayal, he checks the coins, and rightfully gets the hexagram 36 – Ming Yi – Brilliance Injured or Darkening of the Light.  I was getting ready to move on to the Masquerade, when one line from the description caught my eye:  “Hunting in the south, captured the great chief.”

Hmmm.  Interesting, I thought.  I ended up adding a scene where they do just that — capture the Queen’s right hand man. 

This static trait comes back in the first climax, where he distracts someone who knows him well by doing the casting again before “making a decision” when he’s really just buying time.  There, he casts 18 – Gu – Worm or Decay.  I just love the whole idea of it.

I’m sure I’ll need to do more tweaking, but the outline of plot is here.  I still need to think of one crucial item that ties Morghan’s father to the theme, and I need to spend a bit more time making sure her dark moment is appropriately hopeless.  Anyway, here is the first draft of the block outline for 7Crows.

Section Title POV
001 Tea with the Stars Morghan
002 Dragon Hid in the Deep Tian
003 At the Captain’s Table Morghan
004 Sage Advice Morghan
005 Promenade Tian
006 Winged Dance Morghan
007 Scaled Mask Tian
008 Fallen Crow Morghan
009 Lost Morghan
010 The Crow Queen Tian
011 Flying in Darkness Morghan
012 Trap is Sprung Morghan
013 Dragon Flying Low Tian
014 Black Feathers Morghan
015 Bedraggled Crow Tian
016 Wing to Wing Morghan
017 Suspicion on the Wing Morghan
018 Darkening Light Tian
019 The Queen’s Right Hand Morghan
020 Masquerade Tian
021 Tower of Crow Morghan
022 Consult the Oracle Tian
023 As the Crow Flies Morghan
024 Seven Crows Morghan

 

My typical section averages around 1K, so this will be right in line for the size requirements.  Assuming it doesn’t grow too much in draft…

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February Goals

My number one goal for this month is to continue Revision Xibalba.  I looked at the first draft, and I have about 28K remaining.  Less if I decide I don’t need to keep Dr. Charles Merritt’s POV (which would be 5 POVs–I tend to think that’s too many, although I love the perspective he gives of Xibalba).  I will also add 5-10K for the other subplots that I’ve added, specifically the corresponding Dallas threads.

If this was all I were working on, I’m sure I could finish it this month.  However, I’d like to not only write but also polish a new novella this month (7 Crows) for a deadline.  I have what I think is a really cool world with characters ready to go.  It could be the start of a brand new series.  I guess I’ll see how it goes.  It’s only 20K or so.

My primary priority will continue to be Revision Xibalba.  The project is too close to completion to be derailed by a new project, no matter how bright and shiny.  Balance.  I need balance this month.  If you’ve read long, you know that’s not exactly my strongest trait. 

I tend to get just a little obsessed.  :wink:

For now, I’m going to try to go to bed earlier, get up earlier, and see if Dark & Early can help me hit both goals.  To make this even more exciting, I might have some editor revisions this month — which will take immediate top priority. 

Also, come back around Valentine’s Day for a Characterization Clinic.  I’ll post details this week.

February is shaping up to be a wild and crazy month!

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02/01/2009

I hope to have some news I can share in the next few days.  Stay tuned.

With the Superbowl tonight and basketball yesterday, I wasn’t sure if I’d even come close to my goals.

Last week’s goals:

  1. Character interview at Ginger Simpson’s blog for “Bring a Character to Blog Week” starting today.  My post (the interview with Ruin, The Rock) is set to post Tuesday morning.  DONE.
  2. Write up some kind of intriguing post for the first Drollerie Press blog tour on 1/31/2009.  DONE.
  3. Grow NSR by 13K to make up for shortfall last week.  So close:  12,758!  I’ll take it. 
  4. Plot 7Crows to position myself for a novella month in February.  FAIL.  I’ve got tons of good characterization done, but haven’t worked any more on the plot.

Goals for this week:

  1. Take a look at my NSR day sheet and decide if I’m going to keep Dr. Charles Merritt’s POV or not.  I can’t remember how many scenes of his I kept in the previous 200 pages or so.  I also have a timing problem with another character.  I planned to have him in Dallas for the final showdown, but events are spinning out faster than I anticipated in revision.  He might not make it out of Guatemala, and maybe that’s okay.  Dark & Early this morning, I reviewed my day sheet and looked at the revision draft.  I’ve only included one section in Charlie’s POV so far.  Easy to axe.  So for now, I won’t add any more in his POV.  If I get to a scene that is missing something because of that, I can always go back and add him later.  I may offer those Xibalba scenes later as “DVD extras” or something.  Now to figure out Rafe’s timing.  I have a feeling he’ll stay put in Guatemala and the story won’t care one way or the other.
  2. NSR:  at least another 10K in revision.
  3. Plot 7Crows.
  4. Begin first draft of 7Crows.

I’ll post February goals shortly.

Snippet:  Tonight, I edited the midpoint reversal.  In fact, my protagonist dies.  Sort of.  Almost.  :mrgreen:  :shock:

Warmth gushed down Jaid’s chest.  It took her a moment to realize it was blood.  Her blood.  There was no pain, just this fountain of red splashing against the black glassy rock.  She fought the weariness suffusing her limbs.  The knife came down again and she braced for pain, but with a tug, the leather strap of her carryall fell down.

Her notes.  He was taking her research, her life’s work. 

She struggled to chase him, but she couldn’t control her limbs.  Her arms and legs refused to move, as though the puppet strings had been sliced.  Madelyn fell to her knees beside her, but Jaid couldn’t make sense of her words.  She didn’t hear anything over the roaring in her ears.

Gone.  Her research was gone.  Too much blood.  Dad was trapped.  Demons were free because of her research, which was now in the hands of a deranged man willing to do anything to end his torment.  Darkness closed in.  She fought to keep her eyes open, her mind working, her heart beating.  She couldn’t go.  Not yet.  She still had too much to do.

Hands rolled her over.  She blinked hard, forcing her eyes to focus.  Ruin leaned over her, his eyes blazing.  His lips moved, but she couldn’t hear him.  She remembered his mouth, the taste of him, the solid press of his body against hers.  He would have rocked her world.  Devastated her resolve.  Ruined her careful attempts to protect her heart.

Ruin.  It almost made her smile.

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Drollerie Press Blog Tour

For our first Drollerie Press Blog Tour, please welcome Sarah Avery to my blog!  My post can be found at Angela Cameron’s blog.

Closing Arguments by Sarah Avery
Closing Arguments by Sarah Avery

Welcome, gentle reader, to the first round of the Drollerie Press Blog Tour, and thank you, Joely Sue, for making me welcome on your beautifully-titled blog. It’s been a while since I dreamed in rhyme, but I did have a serious case of iambic pentameter some years ago. Since escaping from academia, I dream mostly in character.

My second book, Atlantis Cranks Need Not Apply, is about to be released in mid-February. Our editor Deena Fisher, She Who Wears Many Hats, has done a gorgeous job of designing the PDF version. While I was looking it over one more time, rounding up the last of the questionable commas, I was struck by how polished, how real the advance review copy looked. You’d never guess, seeing it now, what the creative process was like for that book. It’s tempting to say I’m about to tell you a tale about the glorious e-publishing revolution, but really, if there’s a moral of the story, it’s one William Blake told us a long time ago: If the fool will persist in his folly, he will become wise.

Not for the first time in my writing life, I began by doing everything wrong.

Some magazine I’d never heard of, which specialized in a genre I don’t read, posted a call for submissions for a kind of story I don’t write. Psychological horror? Not my thing. Usually my eye just passes over a call like that. I’m a partisan for fantasy–epic, urban, sword and sorcery, whatever, as long as fantasy is in there somewhere, but I don’t like being fed fear for fear’s sake.

But the call for submissions asked for “tales of the life interrupted.” The editor didn’t care whether the protagonist’s daily life was normal by anyone else’s standards, they just wanted the protagonist’s ordinary experience to be turned abruptly upside down by something that he or she would find especially horrifying.

What would a modern-day Neo-Pagan, a practicing witch, find more horrifying than anything else, my brain asked itself. And before I could stop it, my brain answered itself by cooking up a character. Why, for any right-thinking, skeptical Wiccan who hates being mistaken for a New Age fluff-bunny white-lighter, there would be nothing more awful than finding out that Atlantis actually existed.

Oh, no you don’t, I said to my brain, we’re in the middle of a rollicking sword and sorcery manuscript. We are not going to wander off and write an urban fantasy with a comic twist.

But it won’t be urban, said my brain. See? We’ll set it on the Jersey Shore. Here’s a snarky divorced accountant who needs to pull her life back together. Now she’s on the beach watching a hurricane blow in. Just you try to resist her!

There was no resisting Jane.

I began by writing pages and pages of dialogue between Jane and her roommate Sophie, who’s also her coven sister, her landlady, her gadfly, an aspiring hippie chick born a generation too late for peace and love. Three days of writing Jane and Sophie convinced me I had to write the story. In another week, they’d introduced me to the rest of Rugosa Coven, and I knew I wouldn’t be getting back to that sword and sorcery novel any time soon.

Jane’s Atlantis story wasn’t going to fit most of the guidelines that inspired it. It wasn’t going to be a horror story, it wasn’t going to suit the temperament of the editor whose call for submissions called it into being. It certainly wouldn’t fit the tiny word count the horror magazine wanted. That’s what I mean when I say I started by doing everything wrong. But the story was going to kick ass.

That’s what I kept telling myself–It’s going to kick ass, Sarah–while I watched the mounting word count.

I always seem to write to the wrong length for market conditions. My first-ever novel, my first trunk manuscript, was an epic fantasy family saga about a democratizing revolution, and it was about the length of the entire Lord of the Rings series. I love that book, but there’s nowhere for a first novel of that length to go. So I got to experience my own bit of psychological horror as Atlantis Cranks Need Not Apply grew past the length that’s (sort of) easy to sell to magazines, then past the length that’s extremely hard to sell to magazines, and then solidly into novella range. Magazines are getting out of the novella business. Big publishing houses have been almost entirely out of the novella business for a long time. I have a sneaking suspicion that the only reason any new science fiction and fantasy novellas still get into print at all is that the Hugo and Nebula Awards have novella categories. Just when I began to hope Atlantis Cranks would grow past the novella stage and expand into a full-fledged novel, the story…how can I describe this?…it took a breath and lived. It was itself, it was no other story but itself, and tripling or halving its length for marketability’s sake would have done it a violence it would not have survived.

Oh, well, I told my brain. Another trunk manuscript. I guess now we pick ourselves up and go back to that sword and sorcery project. Can we make it a nice, round 100,000 words? Everybody loves to see a number like that in the query letter.

My brain promptly responded by cooking up a second Rugosa Coven story, equally irresistible, that weighed in at an even more market-awkward length than the first one. As I had for Atlantis Cranks, I buffed Closing Arguments to a fine polish, even though I was certain I would never find it a home. When I’d dutifully collected rejection slips from every market in the genre that considers novellas, I decided I’d record both pieces as serial podcasts and give them away for free.

Before I made it to the end of the manual for my shiny new podcasting microphone, my wonderful critique partner David Sklar told me about this new small press he’d discovered, one that would consider novellas. David had been wrestled to the ground by a gorgeous novella that refused to get any longer, so he knew what I’d been up against with the Rugosa Coven stories. We ended up getting our acceptances for Closing Arguments and The Shadow of the Antlered Bird from Drollerie Press on the same day.

It’s been an adventure since then, trying to figure out how the new world of e-publishing works when nobody else, not even the big players in the business, not even Amazon, seems to know for sure what rules to play by. It’s been a struggle to work on the third novella in the series, the one that will complete the three-novella print volume that Drollerie Press will release in late 2009, while learning how to be a mother for the first time. It’s been, in the best Blakean sense, folly. I’m persisting. I like to think I’ll be wise sometime soon.