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NSR Block

Revision Xibalba has been going well the last few weeks.  Which is good.  Great!  Until I ran out of “Block” today.

NSR contains the most complex plot I’ve ever woven before.  Although the first draft is finished–so I know where the main story arc goes and ends–I’ve added two new POVs, each with its own sub-plot.  Those two sub-plots meet at the same time the main story arc reaches its climax.  Revision “Hell” has been appropriate, because I’ve got several concurrent threads to handle, in different parts of the world, but they have to MEET at the right time.  Some sections are finished in first draft.  Others I haven’t started.  Now as I work through the second major draft, some scenes have been edited and smoothed.  Others haven’t.

It’s been insane, challenging, and even though I may bitch about it, I’m loving every minute of it. 

I’ve used section “blocks” (like the one I created for 7 Crows last night) many times before, but this time, I needed more detail than ever.  I ended up using the “Day Sheet” idea talked about in Karen Wiesner’s First Draft in 30 Days (which oddly, I’ve never used for first draft, but for major revisions!) and manipulating it into something useful for this project.

Today over lunch, my great achievement was going through the old first draft, my stack of notecards, my jotted notes, and finishing the Day Sheet, at least a first draft which can be used to complete the rest of the revision.  (Note:  I’m not a rigid writer.  This spreadsheet WILL change.  It gives me a guide to go by, but if in writing the section, I feel a break is needed or a different scene will flow better, I’ll do so, and then make the corresponding change to the table.)

At a glance, this is how much work I have left to finish.  Notes follow the table.


Day Scene POV Total POVs for Character Status Location Chapter Count Scene Title
3 PM 039 Tara 6 FD Dallas        Haunted
3 PM 040 Ruin 8 SD Lake Atitlan     My Last Sacrifice
3 PM 041 Jaid 22 SD Lake Atitlan     Everything has a Cost
3 PM 042 Quinn 6 FD Dallas     Bad Things, Amigo
3 PM 043 Ruin 9 SD Chi’Ch’ul     Price of Sacrifice
3 PM 044 Jaid 23 SD Chi’Ch’ul     Jaguar Kiss
3 PM 045 Jaid 24 SD Chi’Ch’ul     Through the Navel
3 PM 046 Tara 7 IP Venus Star     Nightmares Come Alive
3 PM 047 Ruin 10 FD Chich’en Itza     Low Reserves
3 PM 048 Jaid 25 FD Chich’en Itza     Everyone Dies
3 PM 029 Quinn 7 NS Dallas     Team Update
4 AM 050 Ruin 11 FD Chich’en Itza     Cost of Magic
4 AM 051 Jaid 26 FD Chich’en Itza     Hidden Dagger
4 AM 052 Ruin 12 FD Chich’en Itza     Blood Keyed
4 AM 053 Jaid 27 FD Chich’en Itza     Drowning in Blood
4 AM 054 Tara 8 NS Venus Star     Save a Life
4 PM 055 Jaid  28 FD Iximche     Doomed
4 PM 056 Jaid 29 FD Iximche     Translation Under Duress
4 PM 057 Ruin 13 FD Iximche     Heart’s Duty
4 PM 058 Quinn 8 NS Dallas     Hospital Visit
4 PM 059 Jaid 30 FD Iximche     Iximche Key
4 PM 060 Jaid 31 FD Iximche     Desperate Bargain
4 PM 061 Jaid 32 FD Iximche     To Xibalba
4 PM 062 Tara 9 NS Venus Star     Venus Star Showdown
4 PM 063 Ruin 14 FD Iximche     Butterfly’s Devastation
4 PM 064 Jaid  33 FD Iximche     The Caged Heart
4 PM 065 Ruin 15 FD Iximche     My Heart is Yours
4 PM 066 Quinn 9 NS Venus Star     The Dallas Gate
4 PM 067 Jaid 34 FD Iximche     The Final Death
4 PM 068 Jaid 35 FD Iximche     Broken
4 PM 069 Ruin 16 FD Iximche     Home
4 PM 070 Jaid 36 FD Iximche     Closed and Locked
4 PM 071 T/Q 10 NS Venus Star     Tie Up
4 PM 072 Jaid 37 FD Iximche     Tie Up



  • Color coding is important for me.  I can see at a glance if the POVs make a pleasing tapestry of Story.  Usually the color means something specific to a character, or invokes a “feeling” in me about the character. 
  • I ended up not using the chapter and word count columns after I got knee-deep in revision.  I’ll leave them off next time.
  • The day column isn’t specific.  e.g. 3 PM means the 3rd day, sometime after noon and before midnight.  When I finish this draft, I intend to go back through and read for time incongruences only.  e.g. I can’t have Tara do something in the morning, and then switch the scene and it’s night in Guatemala, and then go back to Dallas and it’s noon.  This isn’t science fiction!
  • I pick section titles that should immediately invoke the details of the section, but the day sheet alone isn’t enough of an “outline” for me, if very much time elaspes.  E.g. I have notecards for each section with details and thoughts jotted down, and every time I *don’t* write something down because I think I’ll remember it, I end up kicking myself.
  • Status = FD (first draft complete), SD (second draft with editing/smoothing complete), IP (in progress), NS (not started).
  • I backtracked to the scene in red at the top because it needs a rather major revision after I finished the rest of the block today.  I have something happening too early there and it needs to be removed.

Have you ever done or needed something this complex before?  Or am I simply making it too hard on myself?  :mrgreen:

3 thoughts on “NSR Block

  1. You think you’re making it hard on yourself but honestly? This looks like something that might save my sanity. 😕 I can see why you like color coding too, I automatically got a feel for different moods with each shift in POV even though I don’t know the characters well. Weird. Still, you’re making great progress and thank you sooo much for posting this.

    Im horrible with making up charts on my own. I always feel like I’m missing “something” and then find myself having to re-do it. This looks very concise though.

  2. Glad it helped. Soleil! I don’t always need this much detail, but it definitely gives me a snapshot of the entire story. It does more than tell me what comes next — it lets me decide before I write whether there’s balance across the sections and POVs. Some of that might change once I’m actually writing, but I can see right off that I’ve got enough green and red POVs to balance the main story arc, and that was my number one concern. Timing in this story is crucial.

  3. This looks like what I need to do with Novel # 1 (a.k.a., the spaghetti-plot novel). I’ve thought about doing stuff like this, heard about, but never seen an example – so this could turn out to be really helpful! I hope! :mrgreen:

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