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Revision Xibalba

I admit, the day started out pretty rough.  Just so nobody thinks my head is getting too big, I got a rejection on a short story last night that bummed me out so bad that I had a pretty nasty talk with Gregar, my sadomasochist muse.  

I said something like, “If I had any other muse, then maybe my stories wouldn’t be so dark and full of pain all the time.  Maybe I wouldn’t be throwing severed hands around or chopping fingers and thumbs off, or, in this last case, corrupting an innocent into killing a holy person!”

Gregar laughed so hard he bent over and slapped his thighs.  “If you had any other muse, then you wouldn’t have me.”

“Well,” I retorted.  “What else but blood and violence can I expect from an assassin?”

The Shadowed Blood went ominously quiet.  Goose bumps raced up and down my arms, but I didn’t back down.  I was too upset.  

He stared at me until flames began flickering in his eyes (which if you’ve read the Shanhasson books, you know that’s a really bad sign).  Finally, he said, “You created me, Lady.  You hid me in Shadows.  You placed my ivory rahke in my hand and whispered to me of blood.  Every time you write, you throw me to the bottom of your Well and trust me not to let you drown.  You need me exactly the way I am.”

I knew he was right but damned if I would admit it.  “Why can’t we write something happy for once where no one dies or suffers?  You know, sunshine, bunnies, light…”

But I knew the truth.  One of my favorite lines from The Road to Shanhasson is:

THERE IS NO DAWN WITHOUT NIGHT, NO LIGHT WITHOUT SHADOW, NO LOVE WITHOUT HATE, BUT LOVE SHINES BRIGHTER IN THE MIDST OF DESPAIR.

“Sunshine and bunnies?”  Rolling his ivory rahke back and forth across his palm, he stared at me blankly.  “What fun would that be?”

So after that little chat, I whined a bit more, made a few silly oaths (something like never reading another submission call, EVER), and then just shut up and got to work on the Maya story.  Of course, the first scene I needed to work on involved demons and torture.  Gregar didn’t say a word, but he couldn’t help smirking every chance he got. 

Finally, at the end of this last day of vacation, the Maya story is sitting at:  82,419 words.  I have 9-10 sections left to revise (including the new ones I finished yesterday), so the story length is right on track for 90-100K.  Revision Xibalba is far from over, though.  I’m going to have to make another pass and watch for continuity problems.  It has taken me too long to get through this project to remember some of the finer details.

So back to the Evil Day Job tomorrow.  I don’t know if I’ll manage Dark & Early yet or not.

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Linkage

March Madness is here!  Check out the 64 book tournament DA BWAHA.  Set your brackets, vote, and win fab prizes!  I’m cheering for Larissa Ione’s Pleasure Unbound myself!

Don’t forget the Passionate Pen Anniversary — March’s prize is a copy of Microsoft Office Professional 2007!  Details here.

The new issue of Membra Disjecta is now live with lots of cool fiction and articles.

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Revision Xibalba Part One

Day One of vacation from the Evil Day Job:

Made it to Kaldi’s this morning and began working on the next section shortly after 9 am.  Two cups of coffee and one section down.  Moving into Quinn’s POV next.  I think I might need one last brief “tie up” resolution section after that, a sort of breather after the high action.  I’m not sure how the sections will fall into place in the existing first draft yet, but I’ll figure that out in revision.

Short and sweet section, only 655 words, but high action.

Snippet:

The front of his shirt moved and wiggled like a rat had crawled down his collar.  He screamed louder, higher, and the pulsing mass rose sharply from his chest.  Firecrackers went off and a bucket of hot, thick fluid splashed her face. 

Gagging, she wiped her eyes and spat, trying to get the thick, foul stuff out of her mouth.

It tasted…

Her brain chittered like a birdcage of frantic, fluttering birds.

With horrible fascination, she turned and watched the lump float into the creature’s hand.

Throbbing so hard it jerked and fought the creature’s grip, the hunk of meat still squirted red from dangling veins.

A yawning pit of darkness opened beneath her feet, and this time, Tara flung herself into oblivion gladly.  I don’t want to be conscious when it takes my heart.

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Revision Xibalba

Modest progress today.  I didn’t finish all of the new scenes as I’d hoped, but I’m pleased with the 2,225 words I managed to work out.  All Dallas threads have converged and the big showdown is iminent.  According to my spreadsheet, I only have one more new scene to write, but I think I’ll need 2.  I hope that’s it.  I’m really not sure what happens other than a vague “bad guy arrives and all hell breaks loose” sort of note to myself.

I made a note about needing to research flamethrowers.  Ah, I love this writing gig.  When else would I get to find out what kind of gas is used, if it’s pressurized, and whether it’s feasible to have one as small as a foot-long steel pipe?  If one doesn’t exist, I need enough details to show the possibility of one as a “secret” R&D sort of government weapon.

I have a few static traits that I thought I’d use — but they haven’t proven important yet.  I’m hoping they will magically unfold in these final pages.  If not, I’ll either have to axe those traits or tweak my plot until it’s tight and seamless.  Quinn might be using a flamethrower, but Tara’s only weapon is an expensive ink pen and she’s severely handicapped by fainting at the sight of blood.  Still, I know in a deep gut sort of way that she’s going to play a huge role in the final scene(s).

Plan tomorrow:  get the monsters off to school and drive up to Kaldi’s, the coffee shop I used in November, where assuming I end up with an outlet, I’ll write until I finish the new scenes. 

Snippet:

Mr. Linkyn slammed his fist down on the table between them so loudly she jumped.  “No cross-reference, no boring details, we don’t have the time.  Use this one.”

He pointed to a symbol which she’d identified as Ix Chel.  Dr. Tennant had said she was the rainbow goddess of fertility and medicine.  That didn’t sound so bad.

“We need two,” she said slowly.  “We can’t–”

“You know which one,” Mr. Linkyn growled out. 

Larry started to tremble but he nodded.  Meeting her gaze, he whispered, “All we need is a little blood.”

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My New Teapot

I’m so excited!  I ordered the perfect teapot off Amazon yesterday.  Since I broke my other one, I made a joke to That Man about getting a cast iron one.  To my delight, they do make cast iron teapots and they weren’t that much more expensive.  The name of this one caught my eye first:  Cast-Iron Mythology Teapot.  It’s red, black, and has a dragon on it.  Is that perfect for me or what? 

I also ordered a cast-iron cup that sort of matches.  It doesn’t have a dragon but it looks to be the same red.  It didn’t qualify for Prime shipping, so I only ordered one, but I’d love to have a four-set of these someday.

If nothing else, I can get a workout by hefting my cup a few times while brainstorming my sticky plot mess!

I feel like I should now broaden my tea experience.  I keep English Breakfast in stock from Harney & Sons, as well as a few other store-bought tea bags like Vanilla Chai and Jasmine.  What’s your favorite tea and where do you get it?

Still sick but somewhat better.  Watch for Revision Xibalba posts today — I would love to finish another couple of new sections so I can be clear to revise tomorrow and Tuesday.

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Revision Xibalba

Oh, dear, it’s been so long since I worked on this project that I forgot my own characters’ names!  Not the major characters, obviously, and this story does have quite a large cast (with three major POV threads), but still, that’s not a good sign.

I decided to start by refreshing my memory (since it was so poor!) and tracked both subplot threads from start to finish as far as I’d written.  Or so I thought — I got ready to start the next section and realized I’d written another one, but couldn’t find it.  Doh!  Found it — I’d forgotten to put it in the main draft.  Of course I had to edit it, too, and then edited a few other things, one thing leading to another…

Finally, I sat down with the next scene solid in my mind, but the words came slooooowly.  Partly because I’m sick–AGAIN–Princess Monster shared her crud with me.  It took much longer than I care to admit, but I finally got that first draft section finished. 

Only 3 more to go, then I’ll have a complete “first draft” and can piece the new sections into the revision as I edit the rest.  I think that’ll keep me from stalling each time I move from “revision” to “new” sections.

This stop and start, stop and start, and problems with my organization (or lack thereof), have really caused this manuscript’s revision to be more painful than it should have been.  It ranks as the toughest revision I’ve ever done, and sadly, it’ll probably need another pass before I can submit.  The opening page(s) still need some work.  I’m not happy with them yet.

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Those Genre Fences

I did some soul searching with my accountability partner, Jenna, and I think I finally realize why I can’t get any momentum built up on the Maya story.

I can’t decide what genre the story should be in.

You might be asking, how on earth could you have written 70+K in a story and you don’t know what genre it’s in?  I find myself asking that same question. *wg*  It comes back to Romancelandia, the tall white-picket fence I tend to sit on, and which side I think this story’s going to jump down to become.

I’ll always write a “romantic” thread, sometimes smoldering and boundary-pushing, but other times, quiet and gentle.  In the first draft of the Maya story, I tried to make the romance smoldering, and it came out forced.  I *despise* forced.  I’ve toned things down considerably so it is more natural.

It’s not a traditional romance “thou shalt have hero and heroine met on page one” kind of story.  In this second major draft, a lot of plot is going on around and in the main story line.  The hero and heroine don’t even get on page together until around the 86th page.  The focus of the story is NOT them getting together.    They don’t even have relations *cough* until after the 200 page mark, and then just the one time, a feat for me.  (I dare you to go count the sex scenes in Rose, say, or Beautiful Death, or even Survive My Fire, a mere 20K!)  The romance is much less “in your face” than I would typically write, but I didn’t do it deliberately — it just happened as I worked through this draft.

Now the ending…it’s so crucial.  I have two paths.  The path I know is “romance.”  The path I don’t know is “not.”  I don’t want to take the easy path, whichever way that is.  Part of me says take the path less traveled, explore that new way, but then I wonder:  is this just me wanting to kick the genre fences down?  I do get that way sometimes (while according to the Chinese horoscope I’m a dog, I feel a lot of empathy for horses which don’t like to be penned in stalls).  I don’t want to make a choice just to be obstinant, n0r do I want to play safe.

I think the more compelling ending would be the non-romance path with a cliffhanger.  It would lend extreme urgency to the next book (although I have no idea what that plot might be).  Yet is that the *right* thing to do?

I have to make a decision.  Today.  Because I have two days off next week and I’m going to bust my metaphorical balls to finish this revision before I go back to the Evil Day Job on Wed.

Opinions?  Discussions?  Would you rather see a “happy ever after” or “cliff hanger” type ending?

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Steampunk, Howl’s Moving Castle

I suppose it was inevitable that eventually I’d stumble into an interest in steampunk, especially with my recent sci-fi Regency spoof idea.  I’ve never gone out searching for steampunk before, but the more I learn, the more intrigued I am.  Part of my research involved picking up Howl’s Moving Castle — although I admit I got it for the kids, and at the time, I didn’t really know what it was about, just that it was highly recommended.

Oh.  I *loved* this movie!  We watched it today in bits and pieces (Princess Monster has been home sick all week and I snuck in some lunch time with her).  I guess it’s not strictly “Victorian” but perhaps closer to Edwardian or even WWI in feel, but I loved it just the same.  It’s definitely one of our Netflix tries that I’m going to add to our family collection.  I could watch it over and over.  Next in my queue is Steamboy, which I specifically added because of the steampunk themes.

I’ve also added Clockwork Heart by Dru Pagliassotti to my wishlist, and my current non-fiction read is Inside the Victorian Home by Judith Flanders.

Do you have any other Victorian or Steampunk recommendations to share?

[Don’t forget to keep checking for the free reads at Drollerie Press in honor of E-Book Week — two new books are up each day for free download!]