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Sore Muscles

I’ve been battling two kinds of soreness the past month. 

I started a new rigorous workout plan about three weeks ago that’s really kicking my fanny, and boy, have I been sore!  I expected to be sore the first few days, maybe a week, but three weeks?  I’m getting better at the exercises, definitely, and I’m able to do more each day.  The same muscles aren’t sore each time.  Last week my left triceps cried every time I did a pushup.  Today, it’s my left butt check.  Not both, just my left! 

But I’m hanging in there, kicking myself because I was in better shape last year than this year.  I’ve regressed.  I let the writing dominate my time and my mind, and my fitness levels suffered dreadfully.  I’m paying that price now.  In my head, I know that I’ll write better long term if I’m fit and healthy — I’ll certainly suffer less back and shoulder pain. 

Yet the Muse doth protest, because the past several weeks, it’s been a struggle to get anywhere in Vicki’s story.  You know I love her.  Jesse tugs on my heartstrings every time I open the file.  Elias’s bite is a scary as his bark, but he’s really a good guy.  I know what happens.  I’m not blocked.  I’m not dissatisfied with the way the story is going, not at all.

I just can’t get more than a page at a time, and even that’s a struggle.

Literally, I write a sentence, and then I’m distracted.  I work all night to get a handful of paragraphs.  I’m still dreaming the book, but it’s mostly replay of the key scenes I need to write, refining them in my mind.  Which is good.  Great!  if I could just make my mind sit still long enough to write them.

Granted, I’ve lost my lunch period to working out, but that’s not enough to justify my lack of progress.  It’s truly a mental distraction.  My mental facilities are planning the next workout, wondering if I ate too much of this or not enough of that, instead of wallowing in story.

That’s really the difference right now.  Even though I’m touching Vicki’s book every single day, when I don’t have her file open, I’m not thinking about it.  So when I sit down to write, those muscles feel…stiff.  By the time they’re warmed up, I’m tired (workouts right now are draining my energy, not increasing it, but I’m hoping that will change eventually) and I need to go to bed.  I haven’t been able to get up Dark & Early (see the tired comment), so I’m running out of writing time.

Now usually I’d probably be in a panic.  I’m driven to finish, finish, finish.  But it’s really a pretty good time for me to slow down just a bit.  I finished three major revisions in January.  February/first part of March has been more specific revisions for Carina.  I’m doing a lot of promo work.  I still need to do our taxes (groans!!!). 

While I’m not happy with Vicki’s progress (still haven’t broken 30K, but I am pretty close), I’m not stuck. 

So, I’m not going to push right now in the writing arena.  Vicki has her pace and so far she’s not complaining.  When she does, I’m sure my writing muscles will protest just a bit, but soon enough, they’ll be rearing to go.

If only my BODY was rearing to go for all this exercise!

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Winner, Vicki, and Victor

The winner of the St. Patrick’s Day giveaway is:  Sheila of Bookjourney!  Sheila, please send me an e-mail at joelysueburkhart AT gmail DOT com with your snail mail address and I’ll send the book your way.

Now for the Vicki snippet.

This snippet was a long-awaited one, for me at least.  I couldn’t WAIT to get Victor on page, but once I got here, I ended up unsure if I pulled it off.  This scene is mostly dialogue back and forth, so in revision, I’ll probably have to bulk up emotions, non-verbals, etc. but it was still fun.  Longer than usual, but there really wasn’t a great place to stop.

Vicki wasn’t one to beat around the bush once she’d made up her mind. “I need your help.”

“So I see.” Victor sat down behind his desk. “Where’d you meet Jesse?”

“It’s a long story.”

Victor kicked back in his chair and propped his ridiculously ostentatious cowboy boots on his desk. “I’m all ears.”

She filled him on Jesse’s background, how she knew him, and the snowstorm that had brought him into her house. “Honestly, I had no intentions of letting him stay with me for more than the night. I wasn’t thinking about taking him in permanently, not at all. It just…happened. I couldn’t leave him on the streets, and now that he’s safe, I can’t stand the thought of letting him go back.”

“Wait a minute. You just said permanently. Are you thinking about keeping him?”

“You make him sound like a pet,” she grumbled. “All I meant to do was get him a job, help him get on his feet, and then go on my merry way.”

“And now?”

“He’s only been at my house two nights, and I can’t…” She dropped her gaze to her hands. Her knuckles were white, her fingers turning red from the fierce grip she kept on her emotions.

“You can’t what, sis?”

Her cheeks burned. “You’re my brother, V. The last thing I want to do is tell you all the things running around in my mind every single time I look at him. You’ll probably beat him up or something.”

“Nah,” he drawled. “That’s Conn’s department, not mine. Mama might horsewhip him though.”

Vicki jerked her head up and glared at him. “Nobody’s going to lay a finger on him, do you hear me?”

“Protective, aren’t we?” He gave her a sardonic, knowing smirk that made her grind her teeth. “What do you want me to do, sis? Give him a job? It’s done.”

She blew out her breath in a loud huff. He knew damned well what was eating her, and he was going to enjoy every minute of it. He was playing games with her, just like he’d done when they were kids. Part of the fun would always be making her ask. “I thought that’s all I wanted you to do, but things changed. Now that he’s in my house, I want him.” When her brother’s eyebrow shot up higher, she quickly added, “to stay. I want him to be safe.”

“And you want him.” She opened her mouth to deny it, but he put his feet down and leaned forward, all teasing gone. “You came to me for help because I’m a Master, not because I’m your brother.”

Miserably, she nodded. Tears burned her eyes. “It’s so complicated, V. I didn’t know it would be this hard. Once I saw him, I couldn’t leave him, and now…I don’t want him to leave. Elias is wavering between pissed and somewhat understanding. I’m afraid I’m going to lose him, but I want to take care of Jesse, and I’m afraid I’ll end up taking advantage of the situation. I’m scared.”

Victor came around before his desk, sat on the edge, and took her hands. “I suspected for a long time, sis, but I didn’t know for sure. Is Jesse the first man that made you feel this way?”

Nodding, she whispered. “He’s been abused and he’s had a terribly hard life. He came to me for help, and I don’t want to make it worse for him, but I can’t stop touching him. The last thing I want to do is screw him up even more.”

“Don’t make the mistake of thinking Jesse is submissive because of his life on the streets. I’m not a sadist because I was tortured or because Mama and Daddy had a private version of the Texas Chainsaw Massacre at the ranch. That’s a load of crap and it always pisses me off when people assume we must have been abused or ‘ruined.’ I was born this way. You were born this way. Jesse is a born, natural submissive, and he proved himself to be a survivor. He can certainly survive you. In fact, he’d like nothing better than to survive whatever you can do to him.”

“Who’ll protect him from me?”

“You will,” Victor said softly, giving her an encouraging squeeze. “You’ve already protected him by seeking help. I’ve been waiting all these years, afraid to push you, afraid to ask too many questions, but I knew when it was time, you’d know where to go.”

“Did you have this talk with Conn?”

“Sure did. And he had this talk with me when I first met Shiloh.” He hesitated, his eyes narrowing on her face. “I had this talk with Mama, too. You really ought to be talking to her and not me.”

But Vicki was already shaking her head. “Are you insane? I can’t get Mama to agree with me that the sky is blue. What am I going to do, call her and say, ‘Oh, Mama, by the way, I took in a homeless man who keeps begging me to take him any way I want.’”

“Sure.”

The thought made her stomach churn. “Never in a million years. I’d rather talk to you. And why not Mal?”

His producer and friend, Malindra Kannes, had created several risque shows for VCONN, and as a result, was known as the Mistress of Dallas.

Victor nodded. “Mal would be glad to help you, especially if you think you might be into punishment.”

Pulling her hands back, Vicki covered her eyes and tried to calm the fire blazing across her cheeks. “I have no idea. I don’t know why it’s happening. Why now and not years ago?”

“Because you found him. All his life, he’s been searching for the place where he’d belong, exactly as he is. He wants to belong to you.”

“You could tell that just from meeting him?”

Victor ticked the signs off one by one. “He couldn’t meet my gaze until you took his hand.”

“He was nervous–”

“He stepped as close to you as he dared,” Victor continued, ignoring her interruption, “silently begging for your protection and sending a sign to me that he was taken. You told him to wait for you, and he sat where indicated without a single hesitation, eyes only for you, his body tuned to you. I bet that when you touch him, however innocently, he sinks immediately into submissive invitation. Eyes down, shoulders and body relaxed, eager and willing to do whatever you tell him, and I mean anything.”

“How did you know?” Her voice sounded hoarse to her ears. “Is it that obvious?”

He laughed softly. “Yes, to me, to anyone who knows how to read the signals. What does Elias have to say about this?”

“He’s tolerant, but also jealous. I don’t know how we’re going to work things out. We’d sort of broke up, but he’s back in my life now that Jesse is with me. I called him to run a background check the first night, and he went ballistic.”

“I imagine so. Look, sis, I’m the last person who’ll ever judge you. If you want to keep both of them, you’ll figure out a way. You said yourself that bringing Jesse home brought Elias back. Maybe it’s meant to be.”

Mentally, she had to pick her jaw up off the floor. “I never thought you’d tell me to just… just… I mean…It’s two men, V. Two. I can’t get my own mind around the logistics. Elias and I talked every once in a while about marriage, but he’s a cop. You know how dangerous his job is and the shitty hours he puts in. He’s already been through one divorce. I know he loves me, and I love him, but I don’t know that we could actually get married and not kill each other, even if the drug dealers don’t shoot him down on the street.”

“I will never say a word against Elias or Jesse or both. However, I will admit that I was worried about you each time I saw you and Elias together. You’re both so hard and fierce, so Dominant, whether you play any sort of games in the bedroom or not. You’re too much alike, and neither one of you will back down from the challenge. I suppose that’s why you two broke up?”

She nodded, trying to swallow the lump in her throat. “You don’t think I’ll ever be able to work out a long-term relationship with him?”

“I never said that. In fact, you may have the answer sitting outside in my waiting room, if you can get Elias to accept him. First, though, you need to take care of Jesse. In his mind, he’s already given himself to you. It’s up to you to protect him, even from Elias and especially from yourself.”

“That’s what scares me to death.” She blew out a shaky breath. “I don’t want him to feel like he has to get a job and leave, but I don’t want him to feel beholden to me, either. I don’t want him to stay and put up with me and Elias’s shit because we helped him.”

“I can recommend a therapist who specializes in complicated BDSM relationships. You should both see her, immediately, before you get involved in an intimate relationship. Elias, too, and if he’s serious about you, committed to working out a life with you, then he will go.”

Vicki nodded. “Definitely. I’ll do whatever I need to do to make sure I don’t mess this up. Elias…” She shrugged. “I don’t know. When I feel better myself, I’ll have a talk with him and we’ll go from there.”

Smiling, her brother leaned down and hugged her. “You’re quite a woman, Beulah Virginia Connagher.”

“Geez, why’d you have to go and call me that? Here I thought you were going to help me!”

Victor laughed. “You can always call me, Vicki. You can call Conn, too, although his advice usually involves a poetry quotation. I hope you paid more attention in English than I did.”

“I’m surprised you didn’t use any football metaphors.”

“Ah, I’ve been remiss. Let’s see, Jesse is on your team. You have to call the plays and lead the team. The entire team depends on you to tell them what to do, but Jesse will run anywhere on the field, just because you told him to go. Your whole season is on the line, and if you call the wrong play, somebody might get hurt. Jesse will run for you until he drops, and if you can get the ball to him, he’ll sacrifice his own body to the defenders in order to catch it. He’d rather die than let you down.”

She groaned. “Is Elias on the field, too?”

“Of course. He’s the linebacker trying to sack you.”

“I’ve been tackled once—even though we were playing flag football—and it sure wasn’t pretty. I don’t think I like this game, V.”

“Yeah, I remember when that punk slammed you to the ground, even though the ball wasn’t anywhere near you. What happened to him on the next play, sis?”

“You and Conn both smoked his ass.”

Victor smiled and goose bumps raced down her arms. She suddenly wondered if that’s the smile Elias and Jesse saw on her face. “If you ever need help tackling Elias, call me. I’ll leave Jesse up to you.”

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E-Book Promo

A friend asked me about what promo I’ve done online, so I thought, yay, a blog topic!

These are only my observations.  Other people are going to be better at different things and have entirely different experiences.   Plus there are so many factors involved, like the size of your backlist, your comfort zone with things like Twitter and Facebook, whether you have print books involved, etc.

My number one rule:  never spam anybody.  That means:

  • I never keep the e-mails from my giveaways.  I’ve had a few people e-mail me and ask if I had a newsletter, and since I don’t, I promised to let them know when I had new releases.  Otherwise, I don’t keep contacting people, never without their permission!
  • I never bomb people on Facebook with “become my fan!” or “Join my group!”  Honestly, I really don’t use Facebook much (other than connecting my blog to Twitter and Facebook).  My oldest monster likes to play FarmTown sometimes, and both she and my husband “manage” the account for me.  I’ve given them instructions to ignore causes, pages, fan groups, etc.  Sometimes I do pop over to say hello to high school friends, and I do try to respond to people who comment on my status.

My second rule:  only do things I enjoy.  Big chats intimidate me, so I usually only participate when I know several or most of the participants.  I participate on very few reader yahoo groups, mostly because I don’t know which ones to visit.  I don’t like to come onto a new list and say “Hello, buy my books!”  Argh, I hate that!

I love to write.  I hate to sell myself.  So if anything, I’m not as aggressive as I maybe should be, but I’d rather my work speak for itself.

At the heart of my promotion efforts (for both e-book and print) is this blog.  I’ve been blogging in some form since 2004, although the early years were lost when I moved my domain off yahell.  I’ve made some great internet friends through blogging, and I love keeping in touch with them.  I do sometimes begin to run out of interesting things to blog about, but I try to be myself all the time, to be honest, and not make it all about “buy my books” because yeah, I already said I hate that, right? 

I’m an amiable personality, so I avoid conflict, especially on my blog, so I don’t blog about politics or the latest blogwar.  I have small children, so I try to protect them as much as possible online by never using their names or giving away key information.  I’m probably the most easy-going person around, so I don’t rant.  Gee, why are you people still reading?  I’m starting to sound really boring.

But I do appreciate all of you who read my feed or take the time to comment.  I do try to respond to commenters as often as possible, but I do get behind.  *hangs head in shame*  I always respond to e-mail.  I always respond to mentions on Twitter unless TweetDeck just flips out and doesn’t notify me.

Using this blog as a foundation, the other things I have found success with:

  • Giveaways.  I love books and I choose to support my favorite authors like Larissa Ione and Lynn Viehl by giving their books away.  Sure, I give away my own sometimes too.  I’ve given away e-books and print, mine and others, and sometimes just gift certificates.  I made a personal choice to always keep mailings open to the planet, and since I’ve made some great Twitter buddies in Germany and the Netherlands, I’m glad to always include overseas contestants!  When the promo funds are running low and I can’t swing the postage costs, then a simple gift certificate to any online retailer is always a nice prize.
  • Free reads.  Lynn Viehl inspired me to give away short stories, and I’ve been doing it since 2007 or so.  I use Scribd and also have pdf downloads on the Free Reads page (note to self: still need to get epub formatted).  I have no idea how many have been downloaded over the years–I’ve had to reload some of the older ones on Scribd and my blog analytics aren’t the greatest –but from what I can tell, thousands of downloads have been made, which is stunning.  I’ve also given freebies to Samhellion and All Romance E-Books.  Talk about free promo–those stories are still there, didn’t cost me a dime, and I’m sure they’re continuing to help readers find me. 

Those are the two biggest things.  I happily do guest blogs and interviews when asked, but I don’t aggressively go out searching for them (I did say I hate selling myself, right??)  I’ve met some incredible book people on Twitter, which I use more than Facebook.

I’ve purchased small ad spots on a few review sites and did get a few clicks, but there’s no way to tell how much those affect sales.  It does help with name recognition, but personally, I’d rather give away a book or two than spend $20 for a tiny corner on a site already crammed with ads.

If money is tight, you can always give away an old story.  Have one sitting on your harddrive that didn’t work out for an anthology?  Run it through a quick edit pass, reformat it (I like to use larger font,  1 1/2 spacing), and let Word save it as pdf for you.  Make sure you include a backlist page detailing all your current releases, your website link, and a brief bio.  If you have the Photoshop skilz, create a cover for it — I think they do attract more notice on Scribd when the stories have attractive cover art.  Alas, my Photoshop ability is laughable.

On Monday, I’ll blog about some of the things I’m doing for print promo, but I’m a newbie in this arena.

Do you have any online promo recommendations that have worked for you, or that you’d love to see authors do more of?  Please let us know!

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St. Patrick’s Day Giveaway

Here’s my green!  The monsters were running around frantically tonight looking for cool and interesting things to wear to celebrate St. Patrick’s Day tomorrow at school, and that reminded me that I’d planned to do a giveaway here on the blog.

Up for grabs:  signed print copy of Dear Sir, I’m Yours, which won’t release until April 1st. 

To enter, simply comment on this post (thru midnight Thursday, 3/18 CST) about what you’re reading right now or just throw your name in the hat.  Anyone on the planet can enter, even if you’ve won something from me before.  I’ll announce the winner Friday when I post the long-awaited Vicki snippet in Victor’s office that I was tormenting you about last week.

Me, I’m reading Shutter Island on my iPhone.

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Read an E-Book Week

In honor of Read an E-Book Week, everything is 20% off at Drollerie Press

Don’t forget I have lots of Free Reads on this site as well as downloadable excerpts which you may enjoy.  But to fully celebrate ebooks, I want to give away a copy of any book in my backlist.  Just comment on this post to enter.  Friday, I’ll announce a winner when I post a new Vicki snippet.

I’m celebrating read an e-book week by downloading a copy of Monica Jackson’s latest, Charm Me Baby, available at Red Rose Publishing.

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Launch Vicki’s Line Contest

I need your help!

If you’ve been reading Vicki’s snippets the past few weeks, you know that she’s trying to launch her own fashion line in Dallas, TX.  I have the event planned for the unveiling, and I know exactly how she’ll promote the line on VCONN, Victor’s (her brother) risque cable channel that is featured in his book, Hurt Me So Good (unofficial title), but I have one big problem.

I don’t know the NAME of her line.

Is it just her name?  A special V?  I don’t think so.  The V is special to Victor, very crucial to his story, so I don’t want to over do it.  I want something special to VICKI, that’s allll hers.  It should help me tell her story and reveal another facet of her character.

Obviously, this name is very important, and so far, I’m drawing a blank. 

That’s where you guys come in.  After reading the snippets, what would you name Vicki’s fashion line? 

Comment on this post as many times as you like.  I’ll take each name and pool them together, and on April 1st, I’ll pick one for a prize: a signed copy of Dear Sir, I’m Yours, the beginning of the Connagher stories. 

If one of you really nails the line’s name and I end up using it in Vicki’s story, I’ll thank you in the dedication, assuming of course, that Vicki is someday contracted.  I’ll also give you a free e-copy of Victor’s book when it’s released, a signed copy of Victor’s print book when it’s released, and the same for Vicki’s book (again, assuming it’s contracted).  Whew!  Edited to add:  and of course, I’ll send you a signed copy of Dear Sir, I’m Yours, too, and hook you up with an electronic version if you don’t have it.

This contest is open to anyone on the planet, even if you’ve won something from me before.

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Revision Xibalba

While I’ve been blogging mostly about Vicki and “dream writing” this week, the real “work” I’ve been doing is Revision Xibalba.  I got the revision letter from my new editor at Carina Press last week and a deadline of 2/28, so I’m rocking and rolling through her notes.  Vicki is actually my cookie at the end of the day for a job well done.  Er, hopefully well done.

So I guess it’s only fair that I talk about revision process too, right?  Holly Lisle has made the “one-pass revision” her bread and butter.  I can’t think off-hand of any other author who has blogged about their revision process (if you know of any useful resources, shout them out).  So here’s a bit about what I’ve been doing this week.

Of course, the HOW depends on WHAT the changes actually are.  I’m not working on the line-edit phase yet, correcting typos, answering the copy-editor’s notes about eye-color change or questioning the word choice with a suggestion.  No, this is high-level revision, and quite honestly, pretty tough.  I can’t just point to one little spot, make the change, and be done.  Several scenes have to be touched, and tiny changes here affect changes deeper in the story.  I have to keep things consistent and tight, while still addressing the issues.

First:  read the revision letter, all the way through.  Then put it away for a day or two and just think about it.  Let all the comments soak in.  Rumminate.  See what makes sense, organize any questions or comments on paper.  I did so, and by Sunday, I had a plan of attack in my mind.

It’s deceptive to see a little bullet or short paragraph like “make sure you continue the heroine’s wry sense of humor all the way through–it sort of disappears near the end.”  (Not a direct quote – just a paraphrase.)  My first thought was oh.  Didn’t I do that?  I thought I did.  Hmmm.  I should read a few passages in the last third or so and see. 

Second.  Read the manuscript (at least sections).  Look for trends and patterns the editor has pointed out.

Oh.  Yeah.  I started to see patterns where I had the wry humor coming from the wrong character.  Or I could expand Jaid’s dialogue or introspection just a bit and make it bigger. 

Third:  Fix.  Maybe not as easy as it sounds.

Fix Phase 1.  Doubt.  I wasn’t really trying to make Jaid funny at all.  I had this sudden surge of distress and doubt.  OMG, how can I make this funny?  Wry humor, what is that?  I did it on accident!  I swear!

Fix Phase 2:  I read the beginning of the book and jotted a few examples of where I thought Jaid had been slightly funny or self-depreciating.  I had several examples.  Again, I started to see patterns, lines of subtle humor that had been laid down at the beginning and never mentioned again.  Dropped threads, missed opportunities. 

Hello, she’s the Un-Indiana Jones.  I made a big deal about this a couple of times in the first half of the manuscript.  Yet when she’s actually racing through the jungle, chased by demons, and nearly drowning in a dark cave, I never once had her go hmmm, maybe grading and lecturing isn’t so bad.

Fix Phase 3. Go through manuscript and watch for slight moments of humor.  Make sure it’s centralized with Jaid.  Amplify if it makes sense.  Watch for moments of high action followed by a quiet moment.  See if it makes sense to drop in a comment.  Mention “Un-Indiana Jones” at least one or more times in the high action events of the climax to bring it all together.

Yay, one bullet done!  How many more do I have to make? *groans*

Actually, I’m almost done.  The humor one was one of the hardest to fix (other than the name change), because I had that moment of panic.  Last night, I had to fix the reunion with Jaid’s father.  I’d totally gone off the deep end in the last revision (to make it romance) and the sap was just oozing all over everywhere.  Ugh.  I think I made it more realistic, and even opened myself up for all sorts of good stuff in the next book.

Final:  Once I make all the changes, I’ll create a new copy of the manuscript just for me.  I’ll accept all the changes, delete any comments, and read it one more time.  I actually prefer to use Google Mail’s “read as html” option for this phase (which is why I remove the comments).  Seeing it outside a Word doc just gives me more clean space to see how it’s really going to read.

This gives me the chance to look for formatting problems (sometimes it’s hard to see paragraph breaks when Track Changes are on), as well as check the flow and make sure I didn’t break anything. 

So by the time this revision pass is all over, I bet I’ll have read the manuscript AGAIN at least five more times.  I’ll read it at least one more time for the copy-edit phase, and we may have more than one revision pass before we get there.

So yeah, “one-pass revision” just doesn’t work for me.

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Transitions and Sequence

Another downside to “dream writing” is the transition from scene to scene (or night to night).  e.g. I’m dreaming the big scenes, not the passage of insignificant moments that explain how the characters got from one event to another.  I don’t have a good sense of time.  I have to connect those dots eventually and move seamlessly from one scene to another, which isn’t always a quick fix.

Last night, my mind kept jumping ahead to a scene with Victor.  (Gee, I have no idea why.  haha)  I know this scene takes place in the first half of the book, but where, exactly?  Is it Act I, or the midpoint of Act II?  I don’t know.  I have a feeling it might be sooner than later, especially since I don’t know what happens in between.

And here’s where writing without an outline gets frustrating.  I have no idea how long the story will be, because I don’t know the details of Act III so I have no way of gauging how far down the road I am.  I’ve been writing careful chapter and scene breaks, but that may have to change because I don’t know what to fill the gaps with yet. 

It’s sort of like excavation, and there are major parts of the skeleton still buried.  I can only see the tips of bone protruding, and I’m going to have to spend some time digging them out.  The trick is balancing my compelling urge to write down the bone sticking out part–it’s so clear in my mind right now, but I’m afraid I’ll lose the clarity.  Like waking up from a vivid dream and feeling it fade away no matter how hard you grasp at the wisps.

But now that I’ve talked about it and aired some of the issues, I think I have an answer to my question about that scene with Victor.  I’m pretty sure it’s the “crossing the threshold” scene for Vicki to end Act I.  Either she’ll accept the journey or she won’t.  (Who am I kidding, you know she’ll accept the journey–but I need to cover her doubt.)  So now I have the goal to write toward for the end of Act I.

Hope some more bones start sticking up soon.

Of course, the other problem I’m battling is time constraints and other commitments.  My first priority this week is The Bloodgate Codex.  First round of revisions are due back by 2/28 and they are not tiny little fixes, but changes that affect multiple scenes (trickle-down effect).  I didn’t work on it yesterday because I needed to let my mind adjust to Xbalanque = Balam = Ruin in my mind.  The dust has settled, and I’ll be tackling a second bullet today.

Vicki will be my reward tonight.  But maybe I should jot a few notes about Victor before I forget…