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01/20/2009

I do like Debra Dixon’s GCM method, but it’s not quite enough for me.  Tonight, I think I found the perfect mix.  Referring back to the Emotional Toolbox, I have a notebook page for each character that looks something like this:

Character Name

  • External Goal:
  • External Motivation:
  • External Conflict:
  • Internal Goal:
  • Internal Motivation:
  • Internal Conflict:
  • Fear, which ties directly to the internal GMC.
  • Mask, which is displayed in the external GCM.

I know how the heroine will answer the hero’s fear and force him to yank aside his mask, and vice versa.  Even better, the hero in Seven Crows will be forced to do that which he abhors the most in order to achieve his external goals, at least initially.  Morghan’s (still playing with her name:  Morgan, Morganna, and now Morghan, not sure what I’ll settle on yet) fear/goal, now that I look at it, isn’t quite as strong.  So I’ll think on it and see if I can make something even worse.

To give every supporting character his/her own story, I’ll also take a day or so and jot down GMC for at least two other characters, the Queen and the hero’s best friend.  Perhaps the heroine’s father, too.  Although he won’t be on page at all, he’s very instrumental in setting her goals for this story.

Next:  plotting.  I already have several pages of possibilities jotted as I brainstormed backgrounds.  I’m guessing I need about 20 sections, but I won’t have a good feel for individual section length until I begin writing.  A typical section for me is usually between 4-6 pages, so 20 sections is right for word count.  The POV may end up being first person.  Not sure yet, but I think the hero’s SECRETS will come out better if Morghan–and the reader–are both in the dark.

NSR:  2099 words, all brand spanking new except for maybe a paragraph or two pasted in from the first draft.  The new stuff is happening right at the midpoint of the novel, allowing me to not only worsen things for Jaid all around, but also giving me time to get the two new story threads in the States closer to convergence.  I also went back and dropped a few other little touches that needed supporting evidence earlier in the story (not included in today’s word count).

I’m really liking Jaid a lot.  She’s not the typical kickass sort of heroine so typical in contemporary/urban fantasy.  She’s smart and gutsy, but the worst physical violence she might do is throw a massive tome at a bad guy’s head.

Snippet:  truly first draft.  Knightley is a shady mercenary acting as a “guard” at the compound; Dr. Reyes is from the Popol Vuh Museum in Antigua; Jaid and Ruin I’ve already mentioned.  Some very bad things have happened in the peaceful little town of Santiago Atitlan, and Jaid finds herself trapped between very unhappy Guatemalan officials and the unknown “Venus Star” corporation.

“Sorry, Doc.” 

Still gulping air, Jaid raised her head and stared at Knightley.  He touched a Bluetooth headset at his ear and leveled his weapon at her.  “I’ve got orders to take over this interrogation.”

“You can’t do that!”  Reyes surged to his feet.  The weapon swung over at him and he froze.  “I’m here on behalf of the Guatemalan government.  If you refuse my authority, we will kick you out of our country faster than–”

Reyes’ eyes flared.  Jaid realized the comforting hand had left her back.  She jerked her head around, searching for Ruin.

Silent and swift, he rushed the guard.  Casually, Knightly whipped the gun toward him and fired.

She cried out, clamping her hands over ears, but there was no retort.  The barely audible pop sounded like a party favor.  Ruin went down like an elephant tagged by a high-powered rifle, though, instantly dropped in his tracks.  He crashed into a table that shattered beneath his weight, slinging glass, fresh-cut flowers, and splinters flying.

Crying, Jaid stood to go to him, but the gun pointed back at her.  Ruin gave one last twitch and went still.  He was obviously dead:  the back of his head had been blown away.  She didn’t try to stop the acid boiling up her throat; instead, she aimed it at the guard’s legs.

“Son of a bitch,” Knightley growled.  He cocked his arm back and the butt of his gun slammed into her head.

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01/19/2009

I had big results on NSR this morning and lunch, which is really good because the next few sections are going to be BRAND NEW.  *groans*  Cut, paste, and polish is ever so much easier.

  • NSR:  3548 words in revision.
  • SFR:  tons of research tonight, trying to figure out the hero.  No wonder I had problems; I had him allllll wrong.  Turns out I should have cast him as Ken Watanabe.  This image (ETA:  broke old link; try this one instead) is PERFECT, even down to his clothes, although I won’t be using the geisha aspect at all.   
  • SFR:  Then I spent all night sorting through the various dynasties of China until I finally found inspiration in Empress Wu.  From there, the pieces I needed for the hero fell into place.  He’s not based on a real person, exactly, but I found Li Xian’s story very intriguing.  From there, I did a little more research on the Imperial Dragon and the Forbidden City (although it wasn’t built until the Ming Dynasty).
  • SFR:  So then I had a good idea of the hero’s background.  But what were his GOALS and specifically, how did that mess up the heroine’s?  I already had her nailed pretty well, and while I love the world and her story, it wasn’t a romance.  Not yet.  So then I did some doodling on paper and “worst case” scenarios until again, the pieces finally fell into place.  I’m still working through his backstory, but I think I have almost enough to begin plotting the main story!  The hardest part will be deciding where to start.  I have a very clear image in my head of an opening scene that is dramatic and kickass from the start — but I don’t know if it’s truly the right starting place.  The heroine and hero would have already met beforehand, and I don’t like to treat all that like history or flashback.  *shudder*  But I’m also targeting this first story in the world shorter, say 20-30K, so having the first meet over and done with might give me more room for story and worldbuilding, which I like very much indeed.

I’ve been referring to this idea as SFR, but that’s merely the genre, sort of *smirk, and no, I can’t say more*, and not the title.  I think it’s safe to say that the working title will be “Seven Crows.”  Anyone recognize the reference?  Let’s just say the premise of the story will involve SECRETS.  And yes, the crow is significant.  It drove me to pick the heroine’s name as Morgan or Morganna, I haven’t decided which, with a nod to Morrighan.

Snippet:  I haven’t done one in a while, so I thought I’d share a short bit from NSR.   This is Ruin and Jaid talking, the hero and heroine of the story.

“First, they must gain a human priest,” Ruin said.

“You.”

“They killed me because I refused to help them.”

“Who can they get in our world?”

Staring at her, he didn’t say anything, his mouth flat and hard.

Black spots floated into her vision.  Her voice squeaked.  “Me?”

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01/18/2009

I really didn’t think it would be possible for me to get caught up today, but I made every single one of my goals. 

My goals for last week were:

  1. Revise 10K of NSR.  Result:  10,304, thanks to 5,421 today.
  2. Revise short story for antho call.  Result:  fixed the last niggling issue and tightened.  It’s ready to submit.
  3. Initial research and worldbuilding for SFR complete enough to move on to characters.  Result:  This story is going to have a very mannered feel, but in a twisted, near-spoof sort of way that I adore.  (As long as I don’t let it get too cheesy.)  I have most of the heroine’s background figured out, as well as her father’s.  I have all the main characters named except the hero.  He’s still a big fat question mark.

Goals for this week:

  1. Submit the short story to the antho, which requires a query and a “new” bio because I think I’ll be submitting this under a different pen name.
  2. Revise another 10K of NSR.
  3. FInalize characters for the SFR.  Specifically, name the hero and figure out his goals and background.  How is he in opposition to the heroine’s goal?
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01/16/2009

After a miserable night of sleeping (not the coughing so much — just couldn’t get and stay asleep — and I had HORRIBLE dreams), I woke up to Littlest Monster’s fever.  She’d complained of headache and sore throat the day before.  All parents of school-aged kids are probably whispering “strep!” and you’d be right. 

Meanwhile tonight Middle Monster also began running a temp.  She doesn’t have a sore throat though, and since she had her tonsils out last year, I don’t think it’s strep.

And of course, I’m still coughing and coughing and coughing, although my voice is better.  So I took Bethanie’s recommendation and bought some Airbourne tonight, as well as a general vitamin.  I got out of the habit of taking anything, which certainly hasn’t helped my immunity.  I’m determined to get over this thing!

I didn’t write until 10:30 tonight, but I did accomplish the following:

  • NSR:  revised next section, 1528 words.
  • NSR:  jotted notes for next (new) section in Quinn’s POV.  Will attempt that tomorrow.

I’m running behind on the revision.  I scheduled myself 10K a week, so I need to get 5K done by Monday.  With all the sick monsters, I don’t know if that’ll happen.

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1/15/2009

 

  • NSR: Reworked the opening scene into Ruin’s POV.  Tough.  I actually ended up with negative words today, but it was a good change.
  • SFR:  brainstormed while sitting through basketball practice.  Got some good backstory for the heroine, but I have no character names yet.
  • Participated in Drollerie Chat tonight.  Sorry, I forgot to advertise it here!

And to prove that I’m really REALLY insane, I think I’ll be writing something new in the Blood and Shadows world to giveaway.  By 3/8 for E-Book Week.  *dies*

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Color Me Intrigued

Color always plays a huge role in writing for me, which may seem rather odd.

Think about it.  The Blood and Shadows world colors are appropriately black, red, and white.  The Trinity is based on that color scheme, and the main characters reflect those colors as well.  With the Sha’Kae al’Dan, color is part of their individual honor.  The Blood, the personal guards, all wear red to symbolize their willingness to sacrifice every last drop of blood in Khul’s defense.

In Beautiful Death, Isabella’s trademark clothes are based on a simple color scheme:  black and indigo.  Hades is silver, to match his hair and eyes.  Their power signatures also match the colors, and Isabella’s aura manifests as sweeping indigo butterfly wings.

Now the brand new project I’m working on suddenly shouted out its color scheme to me.  Purple, mainly, with emerald green, and just a touch of black and red.  What makes this hilarious is I have to use folders, papers, and pens that reflect those colors.  Of course I have a black and red speckled composition book for the Blood and Shadows work.  now I have a purple folder and purple legal pad for the new project.  I have no idea what those colors MEAN yet, but creatively, those are the colors that are speaking for this project.

How about you — does color play a part in your world or character building?

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01/14/2009

  • NSR:  next scene revised; 1373 words
  • Read first three chapters of Debra Dixon’s GMC over lunch.
  • NSR:  Began making notes on how to revise the opening.
  • SFR:  watched The Crow for inspiration, tone, etc.
  • SFR:  researched nanotechnology and autosomal recessive inheritance.  Jotted tons of worldbuilding notes and major backstory.
  • Received two new research books via Amazon today thanks to rec’s by Jenna.  Should make the other possible new novella in March/April very, very interesting!

SFR is the “bright shiny” I mentioned in Dec.  SFR=science fiction romance, series/titles unknown.  Brand new world.  Tons of cool stuff.  Lots of research and planning.  I plan to get multiple projects out of this world, timing TBD.

NSR = Mayan Fantasy

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Changing It Up

I’m going to experiment with how I post for awhile.  I was using “RX Day xx” before, but quite honestly, this year is going to be craaaaazy.  I won’t be working on only one project at a time, at least not for more than a couple of days at a time.  I just have too much to do.

For instance, things I’ve worked on in the past week that I didn’t mention much here if at all:  an entire hardcopy pass of The Road to Shanhasson before Deena begins ripping it apart (400+ pages); a full critique/read for a friend; worldbuilding for the next project; research for the next project; detailed prep and GMC work for the Mayan story as well as revisions.

It keeps me accountable, and right now, I need that.

So on working days, I’ll record progress similar to what I did for NaNo, but it will be across multiple projects.  I’ll try to mix it up with detailed posts on writing, reading, movies, TV, etc. so it’s not a boring progress report, too.  If things do get too boring, I reserve the right to dump this method and try something else.  :mrgreen:

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Dilemma

I find myself in a most unexpected problem. 

Because I’ve been sick, I haven’t had the brain power for hard revision, so Revision Xibalba is very much behind where I wanted to be by mid-month.  I’ve also been reading more blogs and groups to pass the time, which has led me to stumble across several submission calls.

Tempting ones.

Saying no has never been one of my strengths, nor is balance.  I’d really like to do all three of these submissions.  (One is already finished, at least the first draft; the other two, I don’t even have ideas for.  Yet!)  But I can’t do both of these others and get the Mayan fantasy revised like I wanted, nor finish worldbuilding and plotting the other idea I had.

Something’s gotta go.  And I don’t wanna.

And yes, at the root of this dilemma is a reluctance to work on the Mayan story.  It’s a hard revision.  I’m juggling more POV threads than I’ve ever attempted before.  I also realized that I’ve got a serious flaw at the beginning.  (What helped point this out was Debra Dixon’s GMC — although I knew it, I’d chosen to ignore it, thinking I could work around the problem.  But I really can’t.)  I need to eliminate one rather useless POV, or at least rewrite the beginning entirely into Ruin’s POV and put this other one in later.

As I said, some hard decisions that have significant impact on the story.  I’m torn between finishing this draft, and going back to fix the beginning.  I’ve decided to continue forward progress, but that beginning is nagging me like a sore tooth.  I’d hoped to send out a few queries once I’m close to the end of the revision, but I can’t do that if the opening is wrong.

It’s really time to buckle down, press my nose to the grindstone, suck it up, and just do it.  The Mayan story is my highest priority.  So I committed.  So I shall do.  Lord help me if I get solid ideas for the other two temptations.  One, I think I could probably handle.  Not both.